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Kristen was born and raised in Brooklyn, and is a graduate of both Saint Francis College and Hunter College, with degrees in English and Musical Theatre. She enjoys going to any show, from community theater to Broadway productions, and especially loves musicals; "The Phantom of the Opera” and “Sweeney Todd" are among her favorites. By day, Kristen is an HR Coordinator but continues to pursue her interest in theater by seeing great performances and writing a bit about them; she’s also been in a few shows within both NY and MA. She admires the theater community, and is happy to continue writing for BroadwayWorld.
What did our critic think of R.E.D. HAT FIGHT SOCIETY at The Green Room 42?
The Cape Playhouse, the longest-running professional summer theater in the country, is set to kick off its 2023 Summer season with the popular Fats Waller musical and Tony Award winning show, AIN'T MISBEHAVIN'.
What did our critic think of BRINGER OF DOOM at The Players Theatre?
What did our critic think of SUNDAY IN THE PARK WITH GEORGE at Theater2020?
You're gonna truly love tomorrow, and it starts with what you're doing tonight!
Family is truly everything, regardless of who you are or where you happen to come from. Sunday dinner at home with loved ones, sharing an end of the workweek meal with friends, or even among complete strangers - perhaps those who happened to attend the same show one evening, seated beside you in an intimate New York space with the intention of making their weekend count. People from all walks of life who have chosen to embrace a single perspective and similar scope of vision within the confines of a theater, ready to be swept away from reality for ever so brief a time.
Recently concluding its run at both the People’s Improv Theater (PIT) and Theater for the New City in New York City, Pandemonium is a new show written by Claude Solbik that, beneath its comical nature, questions whether our fate is truly written for us. A whimsical tale of swashbuckling pirates, trips to the stars and fairy tale romances, Pandemonium combines fact with fiction through the possibilities and new beginnings that reality brings.
The Cape Playhouse, the country’s longest running professional summer theater, will end its exciting 2022 summer season with its upcoming production of 'The Fantasticks'. What better way to round out a fantastic repertoire of shows, and who better than the Playhouse to bring the longest running musical in world history to a Cape Cod stage? Undoubted to leave as lasting an impression on Cape audiences, 'The Fantasticks' is set to run from September 7th -17th at the iconic Dennis, MA theater.
Based on Agatha Christie’s 1934 detective novel and adapted for the stage by Ken Ludwig, director Marcia Milgrom Dodge leads a cast and crew that brings what is considered one of Christie’s best works of mystery to a Cape Cod stage.
Based on the book by Craig Lucas and inspired by the seven-time Academy Award-winning 1952 musical comedy film, An American in Paris brings the legendary music of George and Ira Gershwin to the stage from August 3rd -13th. Featuring such classics as “I Got Rhythm,” “S’Wonderful” and “Shall We Dance”, this marks the show’s debut performance on a Cape Cod theater’s stage. With a timeless story and unforgettable characters, audiences have something quite special to look forward to this August.
The Cape Playhouse, the longest-running professional summer theater in the country, continues its exciting 2022 season with its current production of the international comedy sensation, God of Carnage.
For those of you looking for another year of quality and professional New England theater, The Cape Playhouse is set to continue its 2022 summer season with its upcoming production of ALWAYS...PATSY CLINE, which begins its run on July 6th.
The Downtown Urban Arts Festival (DUAF) was founded in 2001 on this basis: to bring a collection of new American works that, in their words, 'speaks to a whole generation whose lives defy categorizing along conventional lines.' In its attempts to bring the spirit of real playwrights and characters to the stage, DUAF has been recognized as one of the world's best festivals for new works - a platform well known for the freedom it provides for artistic expression. Twenty years have passed since its founding, and what better way to celebrate such a pillar of New York theater than with the newly introduced 2022 lineup of new works - a month-long showcase of raw talent that has already undoubtedly left its mark on a New York audience.
A story of two people sets the stage for some wondrous things to happen. Each understands what the other is going through, and ultimately becomes what the other needs. The story of Larry and Lucy is such a story. An Uber driver jaded by life meets a teenage girl who has turned to drugs in her attempt to alleviate the unrelenting boredom of her life. Through their shared search for purpose do these two characters portray how unfortunate many are to suffer, but also how lucky are those who see their hopes finally realized in the form of fated companionship - by those who, they realize, can make things better.
Recently concluding performances at Theater for the New City, The UnAmerican questions the power that is supposedly given to those who believe they are above the consensus of the many. Directed by Joe John Battista, Solnik’s play follows the troubled triad of relationships between Marilyn Monroe, Elia Kazan and Arthur Miller - three legendary figures who are criticized and tried for their Communist affiliation
Directed by Stephanie Scuderi, Marry Me a Little is Limelight Theatre Company’s next venture in bringing more inclusive and affordable performing arts to the greater NYC area.
SHEEP #1 is the third program of the Japan Society’s current season, which focuses on New York City - based, female theater-makers. The piece first premiered at The Tank three years ago, then caught Japan Society’s Artistic Director Yoko Shioya’s attention. Prior to its most recent engagement, Takahashi (who uses Okamoto Miya as her stage name) has brought her “microscopic live cinema-theatre” to various venues both here and across the world - these include St. Ann’s Warehouse, La MaMa and the Prague Quadrennial.
THIS WOULD LOOK GOOD ON YOU is the experience - even a life goal - we have all been searching to fulfill. Directed by Liza Cassidy and written/performed by Crispino, this 50-minute production is a romp through Crispino’s life through the various pieces of clothing she has accumulated throughout the years. Neatly hung on hangers and kept safe within boxes, these garments have either been passed on to her by family and friends, or personally purchased during more adventurous times of her life. From dresses to stockings, pajamas to lingerie and some perfectly matching handbags, Crispino’s soul is soon on display with each preserved garment she reveals.
Within the attic of an insane asylum, in a time and place of little importance and for reasons unknown, eight women of history convene to discuss the business of their lives - shells of people who once embodied greatness, now pieced together by moments of nostalgia and hysteria. When all that was has been stripped away, these women are brought together to test their fate in the final act - that of survival. The absurdity of the world in which they live forces them to be as they always were, but spiral further and further down the rabbit hole of insanity - to simultaneously be and not to be.
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