Kerrie Nicholson - Page 3

Kerrie runs her own copywriting and content creation business, Curtain Call Consultancy. In theatre, she writes for BroadwayWorldUK and has her own theatre blog and podcast under the banner "Wheelie Stagey". As a wheelchair user, she's passionate about accessibility, authentic representation and shedding light on how the industry she loves can do better, and why it matters.

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First Show

Jersey Boys

Favorite Show

Hadestown

Favorite Stories

Interview: “We Want This Show to Be a Beacon for Change': Tom Ling, Nick Butcher & Joe White Talk Representation, Collaboration and Joy in THE LITTLE BIG THINGS - As a disabled person, particularly a wheelchair user, opportunities to see people like myself represented are very few and far between. To be able to see a show that put authentic disability representation in a new musical was a game changer for me and I adore how much the creative team and cast love what they made.
The Shows That Made Us: LES MISERABLES - I love when we do features like this, I think they're a fun way to reflect and get to know people. Les Miserables was the one that started my West End theatre going, gave me some amazing friendships, and certain performers who mean the world to me
BWW Review: MATTHEW BOURNE'S SWAN LAKE, Bristol Hippodrome - I BEGGED to review this one as it was at my local, and I had wanted to see a Matthew Bourne for years. It was more magical than I ever dreamed
Interview: 'I Hope the Audience Leaves with the Biggest Smile on Their Face' Conor Hanley of THE CHOIR OF MAN Talks About the Show that Changed his Life - CHOIR OF MAN is a favourite of mine, and so to have had my first of two opportunities to interview the cast meant a heck of a lot to me
BWW Review: SUNSET BOULEVARD, Bristol Hippodrome - Absolutely stunning production in my eyes, and the first five star review I gave here

Opinion: Reviewing With My Disability

August 22, 2018

Being a theatre critic is challenging, but I've noticed more and more frequently that being a theatre critic with the disability I have seems to be a more unique and difficult challenge…

BWW Review: A STREETCAR NAMED DESIRE, Bristol Old Vic

April 18, 2018

Tennessee Williams' 1947 classic A Streetcar Named Desire explores the visceral side of human nature: violence, desire, power, loneliness and guilt.

BWW Review: A PASSAGE TO INDIA, Bristol Old Vic

February 3, 2018

In a new UK tour currently playing at Bristol Old Vic, award-winning theatre company simple8 have joined forces with Northampton's Royal & Derngate to present Simon Dormandy's adaptation of E.

BWW Review: SUNSET BOULEVARD, Bristol Hippodrome

January 10, 2018

Having enjoyed a wildly successful 2016 revival starring Glenn Close at the London Coliseum and a Broadway engagement in 2017, it seems fitting that Sunset Boulevard has embarked on a UK tour following a run at Leicester's Curve.

BWW Review: TIGER BAY THE MUSICAL, Wales Millennium Centre

November 19, 2017

Having also played host to The Mandela Trilogy opera and new musical Only The Brave, it seems that the Wales Millennium Centre seems to be making a name for itself when it comes to mounting new productions.

BWW Review: JANE EYRE, Wales Millennium Centre

June 28, 2017

Originally staged at Bristol Old Vic in 2014, Jane Eyre then transferred to London's National Theatre and toured in 2015.

BWW Review: JULIUS CAESAR, Bristol Old Vic

June 15, 2017

In this new production, Bristol Old Vic and Bristol Old Vic Theatre School demonstrate that inventive design and captivating young talent is a recipe for a bold, visceral retelling of Shakespeare's political tragedy Julius Caesar.

BWW Review: PRIDE AND PREJUDICE, Theatre Royal Bath

January 18, 2017

Premiering in 2013 at Regent's Park Open Air Theatre and following a revival in 2016, Simon Reade's production of Jane Austen's beloved novel directed by Deborah Bruce has headed out on a UK tour.

BWW Review: THE SNOW QUEEN, Bristol Old Vic

December 9, 2016

When taking a work as well-known as Hans Christian Andersen's The Snow Queen to the stage, the challenge is how to adapt and present the material in such a way that feels new and exciting.

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