Among the various programs to celebrate the centenary of Leonard Bernstein's birth, none has been more ambitious in its design and more fulfilling in its execution than ASU School of Music's production of MASS.
To see INHERIT THE WIND, in its current iteration at Theatre Artists Studio, is to revisit the endless battle between open-minded reason and the intolerance of blind faith.
Bekah Brunstetter's THE CAKE rises to perfection in Stray Cat Theatre's current production, baked with exacting precision and balance by director Katie McFadzen, and seasoned with outstanding performances by Jodie Weiss, Megan Holcomb, Racquel McKenzie, and Christopher Haines.
What is the color of anxiety and desperation in the life of a New York City millennial? What does it mean and feel like to be depleted under the pressures of a fast moving and highly demanding metropolis? CASHED, Serena Ryen's 15-minute firecracker of a film, fleshes out the answers to these questio
Following his inspired direction of THE ELEPHANT MAN, Zao Theatre's artistic director, Mickey Bryce, returns to themes that address the essence of humanity and expose societal hypocrisy in an equally moving and uplifting production of THE HUNCHBACK OF NOTRE DAME.
Four exceptional troupers are breathing fire into Yasmina Reza's incisive tragicomedy about human nature, social class, and, more specifically, personkind's proclivity to violence.
Phoenix Theatre's production of FUN HOME, directed by Robert Kolby Harper, is perfect in every respect.
Desert Stages Theatre's production of Maxwell Anderson's THE BAD SEED is on stage through November 18th.
Daniel Berrigan's THE TRIAL OF THE CATONSVILLE NINE is designed to arouse contemplation and to challenge our sensibilities and sensitivities.
In all its technical aspects ~ Kurtis Overby's choreography, Savana Laveille's costumes, Amanda Gran's wigs and makeup, Kirk Bookman's lighting ~ Arizona Broadway Theatre's production of TITANIC THE MUSICAL, directed by Danny Gorman and featuring a superb cast, is equal to anything you'd see on the
Arizona Theatre Company's Season-opening production of Karen Zacarias's NATIVE GARDENS, directed by Jane Jones, is ripe with the bloom of vibrant performances by Arlene Chico-Lugo, Bill Geisslinger, Keith Contreras, and Robynn Rodrigues.
Patty Stephens has returned to Don Bluth Front Row Theatre for an all too brief (October 4th-6th) encore as Mary Todd Lincoln in Vaughn McBride's PASS MY IMPERFECTIONS LIGHTLY BY.
The joyful noise emanating from downtown Gilbert is the unrestrained laughter of audiences during Hale Centre Theatre's uproarious production of Norman Krasna's timeless screwball comedy, DEAR RUTH, directed by Cambrian James and featuring a superb cast.
As Arizona Opera continues its groundbreaking initiative to introduce audiences to new or under-presented but nevertheless worthy works, it has selected Astor Piazzolla's tango opera, MARIA DE BUENOS AIRES as its Season opener.
With the launch of their new company, Arizona Regional Theatre, co-directors Kayla Etheridge and Kimberly Sheperd have aimed high and hit their mark with a commanding production of JEKYLL AND HYDE, THE MUSICAL.
With a cast that captures the angst and humanity of David Lindsay-Abaire's characters, Theatre Artist Studio's production of RABBIT HOLE, directed by Barbara Acker, is a solemn and reverential journey into the heart of darkness and the light at the end of the mourning cave.
Space 55 presents Ashley Naftule's quirky semi-dark comedy, THE FIRST ANNUAL BOOKBURNERS CONVENTION, directed by Dennis Frederick, and running through September 30th.
Bruce Graham pulls no punches in WHITE GUY ON THE BUS, his stinging broadside at the underbelly (the hypocrisies and contradictions) of racism that contaminates the American soul.
A/C Theatre Company's staging of Andrew Lippa's THE WILD PARTY, is a wildly engaging tribute to the roar of another decade and its edgy underbelly.
Ron May's direction of Annie Baker's THE ANTIPODES is theatre of the highest order.
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