THE HUMANS, now at ASU Gammage in Tempe AZ, features a star-studded cast, but a confused and disappointing ending undoes what to that point has been a play infused with humanity, wit, and emotion.
Sanjay Rawal's 3100: RUN AND BECOME is an illuminating documentary that centers on the Self-Transcendence ultra-marathon established in 1996 by Sri Chrinmoy, the famous spiritual guide who, among his visionary teachings, saw the act of running as a path to profound enlightenment.
Hale Centre Theatre has netted a big hit with BIG FISH, the utterly charming and whimsical narrative of a man (Edward Bloom) with a giant proclivity for tall tales and his son (Will) who yearns to uncover the truth about his storytelling hero.
FROM SHOCK TO AWE, directed by Luc Cote, is a searing and gut-wrenching documentary that begs for as broad an audience as possible ~ because we need to understand far better and address with a greater sense of urgency the compounding of tragedies inflicted on the men and women who have served our na
David Ira Goldstein, recently retired from his position as Arizona Theatre Company's artistic director, returns to put his distinctive signature on the play.
Robert Kolby Harper has conceived a thoroughly entertaining remake of LITTLE SHOP OF HORRORS, running through June 10th in Phoenix Theatre's Mainstage, and featuring knockout performances by Kate E.
The national tour of LES MISERABLES has come roaring like a cannonade into Gammage Memorial Auditorium.
By any measure, iTheatre Collaborative's production of Jason Odell Williams' CHURCH AND STATE, is a triumph of directing and acting.
Sasha Wilson's BURY THE HATCHET is a thoroughly clever, wildly imaginative, and engaging romp through the evidence surrounding the murder of Lizzie Borden's parents.
Theatre Artists Studio is closing its already impressive Season with Robert Anderson's I NEVER SANG FOR MY FATHER.
The National Tour of THE COLOR PURPLE, now at ASU Gammage through April 22nd, is a masterpiece of soulful vibrations, telling of Celie's journey from poverty to empowerment.
Arizona Broadway Theatre's current production of THE BRIDGES OF MADISON COUNTY, directed by Danny Gorman is good enough to leave you satisfied enough by the powerful vocals of Cassandra Klaphake as Francesca and Bryant Martin as Robert, but wanting more.
With brilliant flashes of imagination and innovation, Arizona Opera's production of DAS RHEINGOLD, under the visionary direction of Brian Staufenbiel, is an entirely engaging and enthralling theatrical experience.
Arizona Theatre Company presents LOWDOWN DIRTY BLUES.
Southwest Shakespeare Company's production of PART I, directed by Asia Osborne, runs through April 7th at Mesa Arts Center.
BUTTERFLIES, directed by Cady McClain and written by and featuring Carlotta Summers, is a riveting, emotionally powerful, and important anti-bullying allegory of survival and empowerment.
The gates of David Mamet's competitive hell are open anew on the stone cold set of Desert Stages Theatre, and, under the direction of Virginia Olivieri, GLENGARRY GLEN ROSS storms into a riveting eruption of raw emotion and rage, driven by a palpable fear of failure.
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