Review: WHAT'S WRONG WITH BENNY HILL?, White Bear Theatre
The sad end and glorious high points of the still much-loved cheeky chappie are explored in a worthy two-hander
Gary Naylor - Page 3
Review: HIGH NOON starring Billy Crudup, Harold Pinter Theatre
Denise Gough and Rosa Salazar also excel in unexpectedly deeply moving stage version of the much-loved movie
Film Review: HAMNET, In Cinemas
There are many times you catch yourself, as a parent, doing things you never thought you would do - worse, that you would scoff at if reported by others.
Critics' Choice: Gary Naylor's Best Theatre of 2025
Theatre is, of course, a window on another world, often glitzier and brighter than our own, sometimes a reflection that can comfort or discomfit us and sometimes a portal into what it is to be human at all.
Review: WHEN WE ARE MARRIED, Donmar Warehouse
Perfect medicine for the winter blues
Review: THE MYSTERY OF IRMA VEP - A PENNY DREADFUL, Jack Studio Theatre
Part-panto, part-pastiche, an affectionate and funny homage to genres past and present
Review: ARIODANTE, Royal Ballet and Opera
Musically impressive with real high points, the drama does not quite hold together
Exhibition: THE LINBURY PRIZE FOR STAGE DESIGN 2025, National Theatre
A free exhibition at the National Theatre proves an eye-opener for those of us who, too often, take stage design for granted
Film Review: BLUE MOON, In Cinemas
Richhard Linklater's film is set of the opening night of Oklahoma! in 1943, the beginning of the end for Richard Rodgers' first lyricist
Review: TONY HADLEY - THE CHRISTMAS BIG BAND TOUR, Royal Albert Hall
'True', 'Gold' and plenty of easy listening classics gives his adoring public exactly what they want
Review: RED, Chickenshed Theatre
Hundreds flood the stage to reaffirm the magic of theatre and the value of all
Review: WE ARE THE LIONS, MR MANAGER, Sands Film Studios
Touring production wears its heart on its sleeve
An Englishman Abroad - Gary Naylor Goes To Copenhagen
Tosca in Italian with English surtitles, from £20 in January, is next on this stage
Review: DRIFTING, Southwark Playhouse
Ardent Theatre Company focuses on Britain's forgotten twentysomethings - and not just for the plot
Interview: Ardent Theatre Company on Bringing Underrepresented Groups to The London Stage
It’s easy to forget that, while we all know that theatres have four walls, they also have two doors.
Review: L'INDISCIPLINE, Theatro Technis
A touch of Grand Guignol and a soupçon of French farce can't land a show whose style swamps its substance
Review: OLD FAT F**K UP, Riverside Studios
Olly Hawes excavates the anxieties of a man adrift in a hostile and confusing life
Review: OSIPOVA/LINBURY, Royal Ballet and Opera
An evening of contrasting pieces, leading to a conclusion about the need to connect
Review: THE DIARY OF A PROVINCIAL LADY, Bridge House Theatre
Lovely intimate adaptation of immensely popular novel is a pleasing diversion in these troubled times
Review: THE SEA HORSE, Golden Goose Theatre
Recently, on the north coast of Ireland, I had lunch in a seaside bar.
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Tickets From $89
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