Review: GOOD NIGHT, OSCAR, starring Sean Hayes, Barbican Theatre
Long forgotten talkshow guest has plenty to say about culture today
Gary Naylor - Page 5
Review: FOR THE LACK OF LAURA, Shaw Theatre
Fine singing and pleasant songs, but the book needs work and the staging kills the energy
Review: WODEHOUSE IN WONDERLAND, Theatre at the Tabard
Lovely one man play that will delight Wodehouse fans - present and future
Review: LUCIA DI LAMMERMOOR, Opera Holland Park
Jennifer France gives everything in a role demanding bel canto singing and bloody revenge
Interview: Soprano Isabela Díaz, on The Royal Ballet and Opera's Jette Parker Artists Programme
It's a long way from Santiago to the West End.
Review: THAT BASTARD, PUCCINI!, Park Theatre
Meta comedy never settles on its tone nor its focus, and runs out of steam long before the end
Review: EVITA, starring Rachel Zegler, London Palladium
Turns out that The Revolution is Televised after all - and beamed back into the theatre
Review: PRESS, Jack Studio Theatre
Nathaniel Brimmer-Beller's play has lots of good ideas but needs a more solid structure to succeed fully
Review: ANNA KARENINA starring Natalie Dormer, Chichester Festival Theatre
La Dormer beams with five star wattage as the doomed Anna
Review: SOHO SONGS - THE TIGER LILLIES, Soho Theatre Walthamstow
Martyn Jacques brings his unique sound and sensibility to a wonderful addition to London's panoply of theatres
Review: CUL-DE-SAC, Omnibus Theatre
David Shopland's new dramedy is flawed by its lack of focus
Review: THE UNLIKELY PILGRIMAGE OF HAROLD FRY, Chichester Festival Theatre
Mark Addy and Jenna Russell lead a super cast in a show based on Rachel Joyce's runaway bestseller
Review: HOUSE OF GAMES, Hampstead Theatre
Beautifully performed, but somewhat vanilla, Richard Bean's adaptation lacks a necessary bite
Review: BLOOD WEDDING, Omnibus Theatre
Tensions rise, as does the encroaching mysticism, in an oft-forgotten county of England
Review: PIMPINONE, Royal Ballet and Opera
Super show that lightens a very dark subject (corecive control), but does not diminish it
Review: THE GOVERNMENT INSPECTOR, starring Tom Rosenthal
Satire bites even today, but a little more sympathy in the characters would strengthen its appeal
Review: SCENES FROM A REPATRIATION, Royal Court
A virtuoso, multi-skilled, bilingual cast pick away at issues too often comfortably swept under the carpet - by us Brits
Review: THE BRIGHTENING AIR, starring Chris O'Dowd
'A strong cast cannot lift a play that promises more than it delivers
Review: SNOW WHITE: THE SACRIFICE, Sadler's Wells East
Caroline Reece leads the company as the wicked Queen, but every moving part is in perfect sync
Review: MR BURTON, in cinemas
Richard Burton acquires a new name, a new voice and a new authority under the guidance of a loving teacher
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