Review: DEAD MAN WALKING, London Coliseum
A confession.
Gary Naylor - Page 4
Review: JULIUS CAESAR, Omnibus Theatre
Afro-Caribbean theatre company lend their own flavour to a universal tale of the dangers of political misjudgement and hubris
An Englishman Abroad - Gary Naylor Goes To Glasgow
Theatre beyond London proves varied and interesting
Review: ARLINGTON, Tron Theatre
Bleak, yet hopeful, drama/dance hybrid gives food for thought
Review: BOOGIE ON THE BONES, Omnibus Theatre
Song, dance and colours light up the grim USSR
Review: THE TENANT'S REPUBLIC, Jack Studio Theatre
Looking for a New England? Here's Dondonia
Review: THE FLOWERS OF SREBRENICA, Jacksons Lane
A shameful event in Eurpean history is recalled and set within its tragic context
Review: THE MAGIC FLUTE, Royal Ballet and Opera
Technically unsurpassed, but is there a chill where its soul should be?
Review: CYRANO DE BERGERAC starring Adrian Lester, RSC Swan Theatre
Adrian Lester is an astonishing presence in a new version of an enduring tale
Review: CARMEN, London Coliseum
If you liked Evita at the Palladium, you'll like Carmen at the Coliseum
Review: LIFERS, Southwark Playhouse
Synergy Theatre Projectt's commission hits hard, but will it hit the right people?
Review: SCENES FROM THE CLIMATE ERA, Playground Theatre
Fragmented and frightening, the commitment of the work carries the production
Review: PUNCH by James Graham, Apollo Theatre
A true crime story that offers hope as well as tragedy
Review: LACRIMA, Barbican Theatre
Caroline Guiela Nguyen and her cast and creatives have made something very special indeed
Review: HAMLET, starring Giles Terera, Chichester Festival Theatre
A Hamlet shorn of gimmicks allows its power to come through
Review: EH UP, ME OLD FLOWERS!, White Bear Theatre
Chris England's warm show is funny and clever and unafraid to pose some difficult questions
Review: TOSCA, Starring Anna Netrebko, Royal Ballet and Opera
If you come to opera via film musicals and, later, stage shows, Tosca is amongst the most accessible.
Review: SEAGULL: TRUE STORY, Marylebone Theatre
Putin, Chekhov, Trump, art, principles, punishment, love, hate and that iconic, topless-on-a-horse photo of Mad Vlad.
Review: HOME AT SEVEN, Tabard Theatre
From the writer of Journey's End and The Dam Busters
Review: WHAT A GAY DAY!, Jack Studio Theatre
Super one-man show that does what its subject intended - makes its audience happy
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