Review: THE ABNORMAL FAMILIARITY OF US, Theatre503
Libbi Moss's drama of a fractured family hits hard but could do with a larger canvas to explore well-crafted characters
Gary Naylor - Page 6
Review: SKATEPARK, Sadler's Wells East
Hypnotic show transports even Boomers like me to happier times
Review: MANHUNT, Royal Court
Raoul Moat is as unknowable at the end of his spree as he was at the beginning in this squandered opportunity to examine a hot button topic
Review: THE PLAY'S THE THING: A ONE-PERSON HAMLET, Wilton's Music Hall
More lost than gained in this abridged version of Shakespeare's longest play
Review: THE LEFTBEHINDS, National Theatre Secondary Schools Tour
The National Theatre's outreach work is as crucial as ever but, with its primary schools tour under threat, how long will it last?
Review: BBC MUSICALS NIGHT, BBC Four and iPlayer
Some diamonds in the rough, but why can't we choose for ourselves from the BBC archive?
Review: THE SEAGULL, Starring Cate Blanchett, Barbican Theatre
A radical reworking from its German director and co-adaptor that misses as much as it hits
Review: ONE DAY WHEN WE WERE YOUNG, Park Theatre
The play before Nick Payne hit big with Constellations, fails to ignite
Review: DEEPSTARIA, Sadler's Wells
A work that uses the darkest of dark sets to shed light on the possibilities inherent in creative work, right here, right now
Review: THE LAST LAUGH, Noël Coward Theatre
Homage to much-loved comedians and their deceptively dangerous art
Interview: Actor Shannon Tarbet On Chekov's THREE SISTERS at The Globe
With a starry The Seagull opening soon at The Barbican, the peerless playwright is in vogue right now, his unstable worlds of uneasy transition chiming with the nervous times.
Review: VOLLMOND, Sadler's Wells
Desperation, desire and dance in a drowned world
Review: THE PASSENGER, Finborough Theatre
Ensemble work tells an important story, but too quickly and too loudly for its full horror to sink in
Review: OUTLYING ISLANDS, Jermyn Street Theatre
Dazzling acting and directing delivers a fine revival in a perfect space
Review: KS6: SMALL FORWARD, The Pit Barbican Centre
Katsiaryna Snytsina, the eponymous KS6, tells an often warm and witty tale of her own empowerment, with a burning ambition to do the same for her country
Review: AS LONG AS WE ARE BREATHING, Arcola Theatre
Miriam Freedman's stroy is both a tribute to Human Spirit and a warning for today
Review: AIDA, Royal Ballet and Opera
Robert Carsen's vision is as uncompromising as ever, but the world has changed in three short years
Review: ŁUKASZ TWARKOWSKI: THE EMPLOYEES, Southbank Centre
Polish production is powerful theare-making, but lacks heart and conviction in its storytelling
Review: MARIA, in Cinemas and Streaming
Angelina Jolie is compelling in a movie that concentrates on the misery to the exclusion of almost everything else in the diva's life
Review: HANSEL AND GRETEL, Royal Ballet and Opera
Macabre and spectacular, this is Christmas fare as it once was and should still be, fully trusting its audience.
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