HERE

Review: A Thrilling BLACK SWAN at American Repertory Theater
by R. Scott Reedy - Jun 14, 2026

What did our critic think of BLACK SWAN at American Repertory Theater?

Reuben Kaye Announced As Artistic Director Of Adelaide Cabaret Festival 2027
by Marissa Faith Curley - Jun 14, 2026

Reuben Kaye will return to the role of Adelaide Cabaret Festival Artistic Director in 2027 following an electrifying debut program this year, which has already seen sold-out shows, five-star reviews and standing ovations across its first two weeks.

Review: GROW at the Segal Centre
by Courtney Castelino - Jun 14, 2026

What did our critic think of GROW at Segal Centre?

Interview: Diego Guevara of THE HUNCHBACK OF NOTRE DAME at Houston Broadway Theatre
by Brett Cullum - Jun 14, 2026

The Hunchback of Notre Dame will be playing the Houston Broadway Theatre at the Cullen Theater in the Wortham Center. Diego Guevara is playing Clopin, and spoke about creating a sexier, fashion-forward, yet still dark version of the classic tale.   

Review: THE DROWNING GIRLS at New Mexico Actors Lab
by Jackie Camborde - Jun 14, 2026

According to the Director’s note, The Drowning Girls is based on a true story. It tells the tale of three women who lived during the early half of the 20th century; all three were murdered by their husbands, drowned in their bathtubs. 

Review: THE MAGICIANS TABLE, The Vaults
by Franco Milazzo - Jun 14, 2026

Death, it turns out, is an excellent alibi for a party, even one being held in your honour. Legendary magician, beloved family man and complete fiction Dieter Roterburg has sadly died and his wake is being held nightly in the tunnels beneath Waterloo train station.

Eisa Davis Deep Dives on ||:GIRLS:||:CHANCE:||:MUSIC:||, ANGELA's MIXTAPE, and WARRIORS
by Jennifer Ashley Tepper - Jun 14, 2026

The Pulitzer Prize-nominated writer and actor Eisa Davis discusses her new play at the Vineyard, ||:GIRLS:||:CHANCE:||:MUSIC:||, as well as her other upcoming projects including a revival of Angela’s Mixtape and the new musical Warriors.

Interview: Mark Ball on Harry Styles and MELTDOWN at Southbank Centre
by Kat Mokrynski - Jun 14, 2026

Recently, we had the chance to speak with Mark Ball, the Artistic Director of the Southbank Centre. We discussed how he first got started in the arts industry and what led him to the Centre, the history of the Meltdown music festival and what it has been like working with Harry Styles as the artist curator this year.

Review: THE NOTEBOOK at The Peace Center
by Elizabeth Cortes - Jun 13, 2026

The beloved novel-turned film remains precisely *for* the faint of heart in stage form.

Review: GOD OF CARNAGE at New Jewish Theatre
by Steve Callahan - Jun 13, 2026

It would be pretentious to call it drama, but God of Carnage at the New Jewish Theatre is certainly an evening of good entertainment. It plays through June 28.

Review: I LOVE YOU, YOU'RE PERFECT, NOW CHANGE at Theatre Harrisburg
by Andrea Stephenson - Jun 13, 2026

From the very first note of the “Prologue” the cast captures the audience’s attention with their gorgeous vocals. There are so many relatable moments in this production, all of which are brilliantly performed.

Review: HADESTOWN - TEEN EDITION at DreamWrights
by Sandra Harberger - Jun 13, 2026

Our narrator, the greek god Hermes, was portrayed by Moses Banks. She showcased her powerful vocals and brought some sass into the character of Hermes. Ray Baer portrayed the soft and sensitive side of Orpheus as he tried to save Eurydice from the underworld. Joy Ellis portrayed Eurydice with spunk, and her solos were beautiful, especially “Flowers.” Ash Aquayo played Persephone, Queen of the Underworld, as angsty and wild while Adam Coe played Hades as stoic and pragmatic. The sharp contrast in characters was symbolic of spring and winter.

Review: THE HEN NIGHT, Òran Mór
by Natalie O'Donoghue - Jun 13, 2026

Jade, Amber and Lilac have been organising Coral’s hen night for the past six months and it’s going to be epic! But at the last minute, Coral’s cousin Luna rocks up uninvited. Perfect skin, a model, a poet, and a human rights lawyer…a total goddess. It’s too easy to hate her but little do they know just how much they need her…Can the trio unleash their inner Greek chorus or is Coral’s fate in the hands of the gods?

Review: WAITING / REX at ISHIDA
by Brett Cullum - Jun 13, 2026

ISHIDA DANCE had a world premiere with their presentation of waiting / REX at the Asia Society Texas Center. This program is an adaptation of Samuel Beckett's Waiting for Godot and Sophocles' Oedipus Rex. Both are choreographed by the company’s artistic director.

Interview: Kennedy V. Jackson of MRS. DOUBTFIRE at BJCC/American Theatre Guild
by Cade Lott - Jun 13, 2026

In a musical built on speed, noise, and frantic clothing changes, someone has to hold the floor. In the touring production of Mrs. Doubtfire, arriving Tuesday at the BJCC Concert Hall, that weight falls on Wanda Sellner, a court-appointed social worker.

Review: PRESSURE at Ottawa Little Theatre
by Courtney Castelino - Jun 13, 2026

What did our critic think of PRESSURE at Ottawa Little Theatre?

Best Free Outdoor Summer Concerts June 15-21 – Juneteenth, Pride Celebrations & More
by Rebecca Kaplan - Jun 13, 2026

See some of the top outdoor concerts across NYC's five boroughs next week with Pride celebrations, plenty of festive Juneteenth celebrations and more!

Review: THE LITTLE MERMAID at Red Mountain Theatre
by Luke Richards - Jun 13, 2026

Red Mountain Theatre's production of Disney's The Little Mermaid brings one of Disney's most beloved stories to the stage with familiar songs, beloved characters, and a talented cast.

Wake Up With BroadwayWorld June 15, 2026- ROMEO & JULIET Opens At Shakespeare in the Park
by - Jun 13, 2026

Rise and shine, BroadwayWorld! It is June 15, 2026 and it's time to catch up on all of the theatrical happenings you may have missed over the weekend.

Review: A LIFE IN FOUR SEASONS, Regent's Park Open Air Theatre
by Cheryl Markosky - Jun 13, 2026

Vivaldi's Four Seasons is one of the most recognised tunes going, thanks to its ubiquity in advertisements, as lift music and hold music (which this piece wittily refers to), so it's difficult to hear it afresh. That's what makes this reinterpretation of it, through an electronic remix by DJ Walde and vibrant new dance production directed by Tinuke Craig and choreographed by Alexzandra Sarmiento, such a distinct pleasure.