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ST. LOUIS THEATER REVIEWS

The latest reviews and critic recommendations from St. Louis
BWW Review: 2017 Tony Winner OSLO Appears at The Rep

BWW Review: 2017 Tony Winner OSLO Appears at The Rep

by Tanya Seale — February 10, 2019
2017 Tony Award winner for Best Play, Oslo, by J.T. Rogers, is Repertory Theatre St. Louis' artistic director Steven Woolf's final directing project before his retirement begins. It is the story of the Norwegian couple-an academic and social scientist, Terje, who has developed a new approach to conf...
BWW Review: AVENUE Q is Cheeky, Naughty Puppet Fun

BWW Review: AVENUE Q is Cheeky, Naughty Puppet Fun

by Tanya Seale — February 4, 2019
Avenue Q, winner of the 2004 Tony awards for Best Book, Best Musical, and Best Score, makes its Playhouse at Westport Plaza debut, and, although I've seen other fine productions of this musical, Westport is the perfect venue-intimate and cozy-for this beloved brazen show....
BWW Review:  New Jewish Opens a Gorgeous DISTRICT MERCHANTS.

BWW Review: New Jewish Opens a Gorgeous DISTRICT MERCHANTS.

by Steve Callahan — February 3, 2019
The New Jewish Theatre has opened 'District Merchants', by Aaron Posner, and it is certainly among the finest productions I've ever seen there. Posner's script is most remarkably beautiful-it's masterful indeed....
BWW Review: FIDDLER ON THE ROOF at The Fabulous Fox

BWW Review: FIDDLER ON THE ROOF at The Fabulous Fox

by Amy Scheers — January 31, 2019
On a very chilly Tuesday night, Fiddler on the Roof opened and warmed the hearts of the enthusiastic audience at the Fabulous Fox.  This Broadway revival was full of new energy and more emotion than expected with this beloved classic....
BWW Review: THE ITALIAN GIRL IN ALGIERS at Winter Opera

BWW Review: THE ITALIAN GIRL IN ALGIERS at Winter Opera

by Steve Callahan — February 1, 2019
There's that initial low, stealthy tip-toeing pizzicato, like a Warner Brothers cat creeping up on a clever mouse. Then an oboe slips in, and other woodwinds, some piccolo. Then (SURPRISE!) a racing, romping foretaste of the musical fun to follow. It's the utterly delicious overture to Giochino Ross...
BWW Review: Upstream Hosts A Merry Debate in WITTENBERG

BWW Review: Upstream Hosts A Merry Debate in WITTENBERG

by Steve Callahan — January 29, 2019
The Upstream Theater has opened a lovely production of Wittenberg, by David Davalos. It is a 'tragical-comical-historical play', a genre first mentioned by Polonius and rarely seen thereafter. (I guess Stoppard's Rosencrantz and Guildenstern are Dead would fill the bill.) Here in Wittenberg we meet ...
BWW Review: CANFIELD DRIVE Asks Where Are You in Your Work to Heal Racial Trauma?

BWW Review: CANFIELD DRIVE Asks Where Are You in Your Work to Heal Racial Trauma?

by Tanya Seale — January 27, 2019
Playwrights Kristen Adele Calhoun and Michael Thomas Walker's new drama, Canfield Drive, received its world premier this month, after being co-commissioned by 651 Arts in partnership with The St. Louis Black Repertory Company and the National Performance Network. Under development for the past four ...
BWW Review: THE MOTHERF**KER WITH THE HAT Is Bold and Brutal; Funny Too

BWW Review: THE MOTHERF**KER WITH THE HAT Is Bold and Brutal; Funny Too

by Tanya Seale — January 26, 2019
Carl Overly, Jr. has made his directorial debut with the St. Louis premier of The Motherf**ker with the Hat by Stephen Adly Guirgis at R-S Theatrics, and it is an effort to be applauded. This play, as you might suspect from its title, is graphic and realistic, a dramedy about people who survive in t...
BWW Review: LOVE, LINDA Gives Voice to Porter's Muse

BWW Review: LOVE, LINDA Gives Voice to Porter's Muse

by Tanya Seale — January 22, 2019
Max & Louie Productions has opened its 10th season with the St. Louis premier of the one-woman show Love, Linda at The Marcelle. Debby Lennon, a member of the St. Louis Symphony Chorus for 31 seasons, plays the elegant Linda Lee Thomas (aka Mrs. Cole Porter), whose devotion to her husband drove much...
BWW Review: THE WOLVES Score Big at the St. Louis Rep

BWW Review: THE WOLVES Score Big at the St. Louis Rep

by Steve Callahan — January 20, 2019
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BWW Review: ALABAMA STORY Explores Censorship and Racism, Makes One Laugh and Think

BWW Review: ALABAMA STORY Explores Censorship and Racism, Makes One Laugh and Think

by Tanya Seale — January 7, 2019
This, as the opening line of Alabama Story tells us, is a story about two rabbits. It's a story about 1959 Montgomery, where cotton is king, where conservative white men call all the shots, and where books that might be about integration are censored. It is a battle of wills between a segregationist...
BWW Review: LES MISERABLES Dazzles at The Fabulous Fox

BWW Review: LES MISERABLES Dazzles at The Fabulous Fox

by Tanya Seale — December 13, 2018
Anyone familiar with the Tony-Award-winning musical adaptation of Victor Hugo's novel Les Miserables knows it is a grand indulgence for the eyes, ears, and mind. The Cameron Mackintosh and Networks touring production (with new staging and reimagined scenery inspired by the paintings of Victor Hugo!)...
BWW Review: God Takes Center Stage at the New Jewish Theatre

BWW Review: God Takes Center Stage at the New Jewish Theatre

by Steve Callahan — December 11, 2018
Four years ago the New Jewish Theatre offered a side-splitting evening of 'Four Old Jews Telling Jokes'; now they offer 'An Act of God'. Once again it's an evening of stand-up comedy. So, who do you think could tell a joke better than an old Borscht-Belt Jewish comic? Do I hear you cry, 'Nobody!'? W...
BWW Review: A CHRISTMAS CAROL Warms Hearts and Reminds that Giving > Receiving

BWW Review: A CHRISTMAS CAROL Warms Hearts and Reminds that Giving > Receiving

by Tanya Seale — December 7, 2018
Based on the classic Charles Dickens novel, the Nebraska Theatre Caravan's touring production of the musical A Christmas Carol opened for this weekend only on December 6 at The Fox. It is the moving tale of Ebenezer Scrooge, whose devotion to his money interferes with his ability to make meaningful ...
BWW Review: A CHRISTMAS STORY Relishes and Reveres Holidays of Old

BWW Review: A CHRISTMAS STORY Relishes and Reveres Holidays of Old

by Tanya Seale — December 7, 2018
Whether you're 7 or 107, Philip Grecian's adaptation of the 1983 cult classic film, A Christmas Story, will likely tickle your funny bone and get you reminiscing about holidays past. You'll be greeted at your seat by evocative Christmas carols and a stage flanked with decked-out trees and shiny, wra...
MACBETH: COME LIKE SHADOWS Is a Wild, Wonderful Immersion

MACBETH: COME LIKE SHADOWS Is a Wild, Wonderful Immersion

by Tanya Seale — November 9, 2018
You only have two more chances to see Rebel and Misfits' Macbeth: Come Like Shadows, directed by Sean Patrick Higgins and Kelly Hummert, and even in a city of generous theatre offerings, you will probably not have the opportunity to see anything else quite like this. Not anytime soon anyway. Cancel ...
BWW Review: ADMISSIONS Educates Audiences With Examination of White Privilege

BWW Review: ADMISSIONS Educates Audiences With Examination of White Privilege

by Tanya Seale — October 30, 2018
Admissions, a brand-new dramedy by playwright Joshua Harmon, provides a timely and realistic view into contemporary upper-middle-class liberalism, with its barbed humor and challenging subject matter....
BWW Review: SILENT SKY Twinkles Brightly, Shines Light on History

BWW Review: SILENT SKY Twinkles Brightly, Shines Light on History

by Tanya Seale — October 26, 2018
Lauren Gunderson's Silent Sky is the factual story of astronomer Henrietta Leavitt, whose turn-of-the-century career had an important effect on science and discovery throughout the 20th and into the 21st centuries....
BWW Review: DISNEY'S THE LITTLE MERMAID by Variety Theatre

BWW Review: DISNEY'S THE LITTLE MERMAID by Variety Theatre

by Amy Scheers — October 24, 2018
Variety Theatre presented their production of Disney's The Little Mermaid at the Blanche M. Touhill Performing Arts from October 18th thru 21st.  This performance celebrated the 10th Anniversary of Variety Theatre, the country's only production of its kind  that features Variety children with disa...
BWW Review: CHEF Opens Season at Upstream With All the Right Ingredients

BWW Review: CHEF Opens Season at Upstream With All the Right Ingredients

by Tanya Seale — October 15, 2018
Chef, a play by UK/Egyptian playwright Sabrina Mahfouz and winner of the 2014 Fringe First Award at the Edinburgh Festival, made its U.S. premier at Upstream Theatre, opening the 2018-19 season. Linda Kennedy starred in this one-woman show, directed by renowned Swiss director Marianne de Pury....
BWW Review: St. Louis Repertory Theater Presents A DOLL'S HOUSE, PART 2

BWW Review: St. Louis Repertory Theater Presents A DOLL'S HOUSE, PART 2

by Steve Callahan — October 14, 2018
A scandalous drama is still politically potent after 139 years! When Nora Helmer slammed that door in 1879 she told the world that her duty to herself was greater than her duty to her family. Henrik Ibsen's A Doll's House has been an iconic inspiration to generations of second-wave feminists. In ...
BWW Review: THE ZOMBIES OF PENZANCE Breathes New Life and Steals Hearts at The Marcel

BWW Review: THE ZOMBIES OF PENZANCE Breathes New Life and Steals Hearts at The Marcelle

by Tanya Seale — October 12, 2018
As the story goes in Gilbert & Sullivan's 1879 operetta, The Pirates of Penzance, Frederic the pirate has just been released from his indenture to a comical band of soft-hearted pirates when he meets Mabel, the daughter of Major-General Stanley, and falls in love. As the story also goes, in 2013, Ne...
BWW Review: THE LITTLE FOXES Illuminates Aristocracy, Greed at St. Louis Actors' Stud

BWW Review: THE LITTLE FOXES Illuminates Aristocracy, Greed at St. Louis Actors' Studio

by Tanya Seale — October 5, 2018
Lillian Hellman's 1939 drama, The Little Foxes, is a well-made drama about Southern aristocratic avarice and female suppression. When brothers Oscar (Bob Gerchen) and Ben (Chuck Brinkley) Giddens-who have inherited the whole of their father's fortune-go to their sister Regina (Kari Ely) needing mone...
BWW Review: A Dark Story And Bright Music In THREE DECEMBERS At The Kranzberg

BWW Review: A Dark Story And Bright Music In THREE DECEMBERS At The Kranzberg

by Steve Callahan — September 10, 2018
The St. Louis Opera Collective is an adventurous tiny company that brings us chamber operas. Their current offering at the Kranzberg Studio is Three Decembers, with music by Jake Heggie and libretto by Gene Scheer....
BWW Review:  Paula Stoff Dean Brings Bright Cabaret to The Monocle

BWW Review: Paula Stoff Dean Brings Bright Cabaret to The Monocle

by Steve Callahan — August 29, 2018
I first saw Paula Stoff perform-oh, years ago¬-in a revue by the Non-Prophet Theatre. They had some fine local talent who were performing very well indeed. But when Paula stepped into the spot-light and sang I swallowed my gum! What in the world was this Broadway talent doing with this tiny comp...
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