Rob Levy

Compelling from start to finish, the production infuses the company with a vibrancy that oftentimes was lacking in previous seasons. The result is the first must-see production of the fall theater season.

Powerful and prophetic, Stray Dog Theatre’s Godspell is a welcome redux filled with great performances, excellent choreography, robust numbers, and even some smoke.

Stray Dog Theatre has brought one of the longest running comedies in Off Broadway history to the Tower Grove Abbey. Hilarious, camp fun from start to finish, Vampire Lesbians of Sodom is both a hilarious frolic and an example of how art can serve as a defiant act. Thanks to tight pacing and exceptional performances from the ensemble, blood lust has never been this much fun!

Told in nonlinear time, the play is all about Doug and Kayleen's reconnections and missed opportunities. Over these years, the effects of alcoholism, bad relationships and family dysfunction complicate their relationship, testing the unspoken connection they share. Separated by time and distance, each recombination finds the duo experiencing rage, tears and regret as they struggle with the vulnerability and love that intertwines their souls.

The second show of Stray Dog Theatre’s 2023 season honors the late Stephen Sondheim with an innovative take on his musical Into the Woods. Filled with great songs, this imaginative production gives audiences a thrilling theatrical experience.at did our critic think of INTO THE WOODS at Tower Grove Abbey?

Brimming with Hitchcockian noir and soaked in blood and intrigue, The Rep’s Agatha Christie’s Murder on the Orient Express excels in every possible way. Great performances, a smart use of projections, gorgeous costumes and a must-see set design come together for a vivid interpretation of Christie’s classic thriller.

Executed with poignancy, The Rep’s production of Confederates, guided by Dominique Morisseau’s vison and executed by director Elizabeth Carter comes to life through the work of an incredible cast.

Ugly and combatative, Who’s Afraid of Virginia Woolf? is a well-acted drama that lingers with audiences long after the final curtain. This fearless Stray Dog production pulls no punches in bringing marital dysfunction to audiences numbered by its emotional resonance. Impolite conversation has never been so poignant.

Although Side by Side by Sondheim provides audiences with a dose of light musical entertainment, those familiar with the composer’s prolific output may not be satisfied. This is because when these songs are taken out of the context of their full productions, some of the magic wanes.

This exuberant and tragic production of Les Misérables is a breathtakingly epic reminder that the power of theater lies in its ability to capture the essence of the human spirit.at did our critic think of LES MISÉRABLES at Fox Theatre, St. Louis?

What did our critic think of RIDE THE CYCLONE at Tower Grove Abbey? A tragic rollercoaster ride and a cryptic prophecy from a mechanical fortune teller set the stage for a thrill ride season finale from Stray Dog Theatre. From the onset Ride the Cyclone, establishes itself as a quirky musical with emotional poignancy and plenty of laughs.

The Rep’s superb production of Noël Coward's Private Lives is directed by Meredith McDonough. This emotionally raw drama pulls no punches in depicting the intense passion and constant divisiveness that haunts Amanda and Elyot’s relationship. Alternating between sexually charged and emotionally abusive, the complex dynamics of their relationship never make the audience feel at ease.

Filled with vim and vigor from start to finish. Stray Dog Theatre’s A Little Night Music is an energetic and passionate treat. This frolic filled morsel of musical theater is a pure delight that is not to be missed.

Visually stunning and brimming with romance, The Repertory Theatre of St. Louis’ House of Joy is a compelling production that pulls no punches in emphasizing the dangers of authoritarianism and the power of love in tempestuous times.

Not for the timid and genteel, Triassic Parq's raunchy and nasty tone coats a story of friendship, change, and acceptance.  

The Rep’s season finale is a hilarious romp that celebrates the frivolous, delivering a barrage of slapstick fun from start to finish. Murder has never been more fun!

Debuting in St. Louis, this touring version of Mean Girls is an exhilarating tale of adolescent angst that celebrates individuality and equality. An altogether enjoyable theatrical experience, Mean Girls sits at the head of the class, sending other film-to-stage musicals to detention.

Exploring themes of class, race, love, and generational dynamics through the lens of an African American family, Stick Fly features a first-class cast giving vigorous performances

Now in production by Stray Dog Theatre, Good People ironically offers very little decency in its presentation of working-class Southies looking to catch a break. At its core is Margie Walsh, a tough-as-nails, blue-collar working mother whose desire to do right by her mentally challenged daughter upends her life. Saddled with unreliable caregivers and always looking for more money, she struggles to keep steady work and make ends meet.

While there have been hundreds of adaptations of Charles Dickens’ A Christmas Carol, few of them have had the energy and contemporary flair of Hana Sharif's revised production currently onstage at the Repertory Theatre of St. Louis.