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by Judith Herbig - March 11, 2026
Warm, relaxed and full of nostalgia, Key Change showcases Jonathan Roxmouth at his most engaging. With humour, stylish staging and timeless piano classics, the show creates a joyful atmosphere that has the whole audience smiling. A thoroughly enjoyable evening of music and memories....
by Judith Herbig - February 28, 2026
A powerful, intense solo performance by Alan Committie that drags The Iliad out of history and into the present. Raging emotion, stark visuals, a gripping soundscape and visceral physicality combine to expose the brutal, repetitive nature of war and humanity’s destructive ego....
by Judith Herbig - February 26, 2026
A lively, fast-paced and very funny romp through Shakespeare. Three equally talented performers, slick backstage work and simple staging keep the focus on the action. Affectionate, farcical and thoroughly entertaining....
by Judith Herbig - February 25, 2026
Sumptuous design, assured dancing and clear storytelling combine to create a Nutcracker that is both elegant and utterly engrossing....
by Faeron Wheeler - February 23, 2026
Watching AND THE GIRLS IN THEIR SUNDAY DRESSES at the Baxter, I was reminded in many ways of WAITING FOR GODOT. However, this production - written by the incredible Zakes Mda - is so much more, in my opinion....
by Judith Herbig - February 10, 2026
A sharp, silly and fearless comedy ride where smart political satire meets mischievous puppets and riotous audience interaction....
by Judith Herbig - February 05, 2026
A gripping courtroom drama. Strong, well-rehearsed direction, a functional and clever set. Standout performances from Tumelo Mogashoa, Gillian Vosloo and Kendra Maduray....
by Faeron Wheeler - February 02, 2026
If you're like many people who have difficulty telling Shakespeare's comedies apart, just remember that TWELFTH NIGHT is the one with the yellow stockings. It's also the one that's on at Maynardville for their 2026 season....
by Judith Herbig - January 23, 2026
A riveting two-hander, The Opera Singer peels back the diva’s glamour to reveal vulnerability and truth. Fiona Ramsay is magnetic, Owain Rhys Davies compelling. Sharp writing, elegant design, superb pacing....
by Michelle B Lewis - January 21, 2026
Listening to Walls Wear Off Their Colour is an intimate, thought-provoking experience that demands more than passive observation. From the moment the performance begins, the audience is called to be still, to sit back and listen, allowing the narrator’s voice to guide reflection....
Past Shows
"SCOTT", the 2019 Distell National Playwright Award Nominated Playscript, will be performed at the Theatre Arts Admin Collective from 10 15 September 2019 at 7pm...
"SCOTT", the 2019 Distell National Playwright Award Nominated Playscript, will be performed at the Theatre Arts Admin Collective from 10 15 September 2019 at 7pm...
New Dance Lab - Experimental Dance Festival 28 and 29 April 2017 - 8pm - R80 (R50 students) Curated by Thalia Laric and Kristina Johnstone...
?Adoption is a concept that so many people in the world do not understand. Thola Antamu (black) and her mother (white), share their adoption story...
![Phefumla [to breathe]](https://cloudimages2.broadwayworld.com/regionalshows/nd6C04F870-B5A9-F069-9272E6CA558F09D5.jpg?format=auto&width=212)
Previews of Phefumla [to breathe] Directed by Thando Doni A South African / Norwegian collaboration presented by Mariken Lauvstad 4th and 5th May @ 7pm...
A fable that explores the psyche of an unborn girl child who refuses to be born into the South Africa that women know and experience....
With costumes by the visionary Richard De Jager, expect the usual dreamy aesthetics, textual remixing, plus elements of Shakespeare, Blake, Chaucer and the phone book....
In her dressing room, an aging prima donna gets ready for a show. But on this particular day, she has to face increasingly ridiculous challenges...
This performance work is a resistance against the growing notions about the earth that uncritically express anthropocentric viewpoints. Clearly we only construct our understanding within...
Since the introduction of the Standard Bank Ovation Award in 2010 at the National Arts Festival, Gavin Krastin has won an award each year for...
In movement and voice, THE SHOW is a moment by moment repsonse to the vast diversity of the South African landscape. The personality of which...
Leeorah left her birth country, South Africa, during the height of apartheid, refusing to ever return. Events changed and five years ago she returned to...
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