After many years in the 12-step programme of Alcoholics Anonymous, James agrees to become the sponsor of newcomer Luka.
On the journey to sobriety, the pair bond over black coffee, trade stories, and build a fragile friendship out of their shared experiences.
On the cusp of Step 5, their conversations must turn to confessionals, with progress hinging on Luka revealing secrets that could lead back to alcohol. But it’s clear that James also has dangerous truths in his past, truths that threaten the trust on which both their recoveries depend.
Following an acclaimed sold-out Edinburgh season, Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) reprises his role as Luka joined in the West End by Emmy, BAFTA and SAG Award winner Martin Freeman (The Responder, Sherlock) as James.
Directed intimately in-the-round by Finn den Hertog, The Fifth Step is a provocative, entertaining and subversively funny new play from David Ireland.
Lowden explodes with half-suppressed energy as Luka, an unemployed, sex-obsessed alcoholic desperate to pummel his wayward life into shape. Help comes in the form of James, a fellow AA member who’s been sober for decades, but this middle-aged sad dad isn’t always the best advocate for his booze-free lifestyle. The everyguy authenticity that has made Freeman a telly regular is lost a little here, in a slightly underwhelming stage performance. Instead, this play’s appeal comes from the hilarious clashes between Luka’s blunt literal-mindedness and James’s patronising obfuscation. “Cultivate a relationship with yourself,” advises the older man. “I thought you said I wasn’t meant to do that any more!” says Luka, battling to beat his 20-a-day masturbation habit.
The play dances to and fro, interweaving serious questions with crisply funny dialogue and combining the absurd with the profound. Luka’s awakening, for instance, arrives on a treadmill at the gym when he is apparently joined by Jesus in the guise of actor Willem Dafoe. In Finn den Hertog’s tightly paced production, the action plays out like a boxing match, which works wonderfully in Soho Place’s in-the-round space. Milla Clarke’s spare design — a table and a few chairs — has dispensed with the set the show had in Edinburgh, leaving the two actors exposed, in tune with their characters’ feelings.
| 2025 | West End |
West End |
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