After many years in the 12-step programme of Alcoholics Anonymous, James agrees to become the sponsor of newcomer Luka.
On the journey to sobriety, the pair bond over black coffee, trade stories, and build a fragile friendship out of their shared experiences.
On the cusp of Step 5, their conversations must turn to confessionals, with progress hinging on Luka revealing secrets that could lead back to alcohol. But it’s clear that James also has dangerous truths in his past, truths that threaten the trust on which both their recoveries depend.
Following an acclaimed sold-out Edinburgh season, Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) reprises his role as Luka joined in the West End by Emmy, BAFTA and SAG Award winner Martin Freeman (The Responder, Sherlock) as James.
Directed intimately in-the-round by Finn den Hertog, The Fifth Step is a provocative, entertaining and subversively funny new play from David Ireland.
It’s a strange play: if Ireland has reined in the bad taste stuff, he remains a swearword-heavy comic writer with a specialty in bruising one-liners. But he never commits to a tone: a scene in which Luka hallucinates that James has bunny ears is quite funny but the cartoonish questioning of his sanity needlessly muddies what his whole deal is. In general, Finn den Herzog’s minimalist production is tentative about grabbing the material by the scruff of the neck. The fact the play is specifically set in Glasgow gets drowned out and feels like it’s more a nod to Lowden’s accent more than anything reflected in Milla Clarke’s sterile set.
Den Hertog’s vision materialises in the precise pacing of the dialogues and the clear division of physical movement. He toys with the flow between the two bodies, shaking the scenes up regularly so that one of the performances turns waspish and prompts another thematic juncture. Once the jig is up, the balance found in the first 45 minutes flips onto its head. Freeman’s performance explodes into its full potential, making us question who the serene, placid guy from the start was. Added to Lowden’s minuscule changes in bearing, we have a mesmerising spectacle of acting prowess set up by Ireland’s extraordinarily pliable writing.
| 2025 | West End |
West End |
Videos