Despite being the voice that built Capitol Records, Nat “King” Cole’s groundbreaking NBC variety show faced cancellation as they could not find a sponsor. Now, on the night of his final broadcast, Nat must decide whether to quietly step out of the spotlight, or, as his friend Sammy Davis Jr. urges, “go out with a bang.” Tony and Academy Award nominee Colman Domingo (Rustin) and NYTW Usual Suspect and Artistic Director Patricia McGregor (The Refuge Plays) bring us this electrifying exploration of the soul of an American icon who fought to break through America’s color barrier in the early days of television. Starring Emmy Award nominee Dulé Hill ("The West Wing," "Psych") as Nat “King” Cole and Tony Award nominee Daniel J. Watts (The Refuge Plays, Tina: The Tina Turner Musical) as Sammy Davis Jr., Lights Out features Nat’s hit songs, like “Nature Boy,” “It’s a Good Day,” “Smile” and “Unforgettable.”
The biggest scene-stealer is Watts, who so dominates whenever he takes the stage that you may wish that Sammy Davis Jr.’s name was in the title. Watts flashes a feral energy that’s truly magnetic, and he moves with a catlike grace around the stage — and occasionally the auditorium. His tap duet with Hill on “Me and My Shadow” (tap choreography by Jared Grimes) is a burst of percussive performance art. Lights Out is a showcase for some wonderful song and dance, but the luster dims whenever the band stops playing.
Are there any other mitigating attractions? There are Hill’s vocals. He sings several of Cole’s signature chart-toppers, delivering entirely his 1949 winner, “Nature Boy.” (A better play might have followed how Cole came to record the mystic Eden Ahbez song.) Sadly, he doesn’t get through the entire “Mona Lisa” (Ray Evans and Jay Livingston), which won the 1950 best song Oscar but might not have if Cole hadn’t sung it to Top 40 acclaim.
| 2025 | Off-Broadway |
NYTW Off-Broadway Premiere Off-Broadway |
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