WHO WE BECOME to Return to New York With Lanford Wilson One-Acts
by A.A. Cristi - May 28, 2026
Deep Flight Productions will present an encore engagement of WHO WE BECOME, a program of rarely produced Lanford Wilson one-acts, at Factory Series at the Chain Studio Theatre in New York.
SIX, HADESTOWN, and More Set For Overture Center's 2026-27 Season
by Stephi Wild - Apr 14, 2026
Overture Center in Madison, Wis. announced its 2026/27 season, featuring eight Broadway productions including Wisconsin premieres of MAYBE HAPPY ENDING and DEATH BECOMES HER, plus over 30 Overture Presents performances.
BOOP! THE MUSICAL, OH, MARY! and More Set for The Smith Center's 2026-2027 Broadway Las Vegas Series
by A.A. Cristi - Apr 9, 2026
The Smith Center announced its 2026-2027 Toyota Broadway Las Vegas Series, featuring seven productions including BEAUTY AND THE BEAST, THE PHANTOM OF THE OPERA, and MAYBE HAPPY ENDING. Subscriptions go on sale April 13.
David Rothenberg Makes 54 Below Debut with NEVER TOO LATE in May
by A.A. Cristi - Apr 9, 2026
54 BELOW, Broadway's Supper Club and 2022 Tony Awards Honoree for Excellence in the Theatre, will welcome David Rothenberg on May 3 at 1pm. 54 BELOW, Broadway's Supper Club and 2022 Tony Awards Honoree for Excellence in the Theatre, will welcome David Rothenberg on May 3 at 1pm.
THE OUTSIDERS, HAMILTON, and More Set For 2026/27 Broadway In Jacksonville Season
by Stephi Wild - Apr 7, 2026
The FSCJ Artist Series Broadway in Jacksonville has announced the 26/27 Broadway season shows coming to the Jacksonville Center for the Performing Arts. Learn more about the lineup here!
BOOP!, HELL'S KITCHEN and More Set for RBTL's 26-27 Season at West Herr Auditorium Theatre
by Chloe Rabinowitz - Apr 1, 2026
A seven-show 2026-2027 M&T Bank Broadway Season will take place in Rochester, including four local premieres including Boop! The Musical, Hell's Kitchen, and more.
THE OUTSIDERS, MAYBE HAPPY ENDING, and More Set For The Bushnell 2026-2027 Broadway Series
by Stephi Wild - Mar 31, 2026
The Bushnell has announced its 2026-2027 Broadway Series, showcasing a lineup of new Broadway hits alongside award-winning musicals. The series aims to attract theatergoers with a diverse selection of performances.
OH, MARY!, THE OUTSIDERS, and More Set For Broadway San Diego 2026-27 Season
by Stephi Wild - Mar 11, 2026
Broadway San Diego has announced its 49th Season, bringing Broadway's current productions direct from New York City to San Diego. Learn more about the lineup here!
THE OUTSIDERS, BEETLEJUICE, and More Set For Marcus Performing Arts Center 2026/27 Season Lineup
by Stephi Wild - Mar 5, 2026
The Marcus Performing Arts Center will present the 2026/27 Johnson Financial Group Broadway season, featuring a lineup of acclaimed shows in Milwaukee. Learn more here!
DEATH BECOMES HER, THE OUTSIDERS, and More Set For ASU Gammage 2026-2027 Broadway Season
by Stephi Wild - Mar 3, 2026
ASU Gammage has announced its 2026–2027 Desert Financial Broadway Across America-Arizona Broadway season with a dynamic blend of Tempe premieres, beloved classics, and acclaimed new hits.
THE OUTSIDERS, THE NOTEBOOK, and More Set For Wharton Center's 26-27 Broadway Season
by Stephi Wild - Mar 3, 2026
Wharton Center has announced a lineup of shows that will entertain and inspire audiences for its 45th season. Learn more about the upcoming lineup here!
HAIR THE MUSICAL Comes to Theatre Royal Sydney in June
by Stephi Wild - Feb 25, 2026
The iconic rock musical HAIR will be staged at Theatre Royal Sydney, bringing its vibrant celebration of 1960s counterculture to Australian audiences. Learn more here!
THE OUTSIDERS, BUENA VISTA SOCIAL CLUB, and More Set For the Smith Center's 2026-27 Broadway Season
by Stephi Wild - Feb 10, 2026
Las Vegas' Heart of the Arts, The Smith Center for the Performing Arts, has announced its latest lineup of Broadway productions – the 2026-2027 season of its popular and acclaimed Toyota Broadway Las Vegas Series.
THE OUTSIDERS, BUENA VISTA SOCIAL CLUB and More Set for Broadway In Kansas City Season
by A.A. Cristi - Feb 3, 2026
PNC Broadway in Kansas City has announced the 2026–27 season for Music Hall and the Kauffman Center. The 2026–27 PNC BROADWAY IN KANSAS CITY season will include the following national touring Broadway productions at Music Hall.
Review: YOU'RE A GOOD MAN CHARLEY BROWN at PORTHOUSE THEATER
by Roy Berko - Jul 10, 2025
Few realize that when reading a Peanuts comic strip, watching a television show based on the writings of Charles M. Schulz, or seeing the theatrical YOU’RE A GOOD MAN CHARLIE BROWN, a version of which is now on stage at Porthouse Theatre, that they are being exposed to the author’s religious sensibility.
Interview: CHOREOGRAPHERS ELLENORE SCOTT & AYODELE CASEL GIVE FUNNY GIRL'S SAGA FLAIR, FUN & FINESSE
by Valerie-Jean Miller - May 28, 2024
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
Review: DRACULA: THE BLOODY TRUTH at Great Lakes Theater
by Roy Berko - Oct 23, 2023
What did our critic think of DRACULA: THE BLOODY TRUTH at Great Lakes Theater? The cast worked hard, the stagehands did their part with great enthusiasm, but all in all DRACULA: THE BLOODY TRUTH just didn’t live up to expectations.
BWW Review: CABARET at The Goodspeed
by Ariana Straznicky-Packer - May 26, 2022
Wilkommen, bienvenue, and welcome Cabaret to the Goodspeed Stage! The classic musical makes its premiere on the Goodspeed Stage and runs now through July 3rd, 2022.
BWW Interview: Producer Marilyn Fox of A BINTEL BRIEF at Pacific Resident Theatre
by Shari Barrett - May 8, 2021
A BINTEL BRIEF, comprised of a selection of sixty years of letters from the lower East Side of New York to The Jewish Daily Forward, a popular local paper among the Yiddish speaking immigrants, is being presented online by Pacific Resident Theatre, I wanted to find out more about how the production was conceived, directed and produced to find out if anyone on the team also shares a family story similar to mine. Here is what producer Marilyn Fox shared with me.
BWW Review: SQUEAKY: OLD FLAMES CAN REALLY BURN Offers Five Actors Portraying Different Dimensions of the Troubled Charles Manson Follower
by Shari Barrett - Jul 6, 2020
One thing for sure a?" after watching the play and listening to Squeaky during various time periods of her life, I feel even more sorry for the troubled young woman who allowed herself to be so misguided by a man who knew exactly how to manipulate her need to belong somewhere to his own advantage. So much so that in a 2019 televised interview, Fromme said about Manson, 'Was I in love with Charlie? Yeah, I still am.a?? One wonders at the sanity of such a statement until you realize how her mind was warped through the use of drugs and mind manipulation.
Review: American Tribal Rock Musical HAIR is Still Relevant After 50 Years
by Shari Barrett - Oct 30, 2019
HAIR was written more than 50 years ago by Gerome Ragni, James Rado and Galt MacDermot and broke new ground in musical theatre by defining the genre of 'rock musical' as well as using a racially integrated cast and inviting the audience onstage to join in the a?oeBe-Ina?? finale. But at the time it opened off Broadway at the end of 1967, it seemed unlikely that HAIR would be relevant five decades later. A product of the hippie counter-culture, sexual revolution, and Vietnam War protests of the late 1960s, several of its songs became anthems of the anti-war movement, while its profanity, depiction of the use of illegal drugs, treatment of open sexuality, irreverence for the American flag, and full-frontal nude scene caused much comment and controversy at the time. Yet today it seems what was shocking has become so common place that even a few children were in the audience at the performance I attended.
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