Few realize that when reading a Peanuts comic strip, watching a television show based on the writings of Charles M. Schulz, or seeing the theatrical YOU’RE A GOOD MAN CHARLIE BROWN, a version of which is now on stage at Porthouse Theatre, that they are being exposed to the author’s religious sensibility.
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
What did our critic think of DRACULA: THE BLOODY TRUTH at Great Lakes Theater? The cast worked hard, the stagehands did their part with great enthusiasm, but all in all DRACULA: THE BLOODY TRUTH just didn’t live up to expectations.
Wilkommen, bienvenue, and welcome Cabaret to the Goodspeed Stage! The classic musical makes its premiere on the Goodspeed Stage and runs now through July 3rd, 2022.
A BINTEL BRIEF, comprised of a selection of sixty years of letters from the lower East Side of New York to The Jewish Daily Forward, a popular local paper among the Yiddish speaking immigrants, is being presented online by Pacific Resident Theatre, I wanted to find out more about how the production was conceived, directed and produced to find out if anyone on the team also shares a family story similar to mine. Here is what producer Marilyn Fox shared with me.
One thing for sure a?" after watching the play and listening to Squeaky during various time periods of her life, I feel even more sorry for the troubled young woman who allowed herself to be so misguided by a man who knew exactly how to manipulate her need to belong somewhere to his own advantage. So much so that in a 2019 televised interview, Fromme said about Manson, 'Was I in love with Charlie? Yeah, I still am.a?? One wonders at the sanity of such a statement until you realize how her mind was warped through the use of drugs and mind manipulation.
