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Review: CENTER STAGE at Opera Theatre Of St. Louis

Review: CENTER STAGE at Opera Theatre Of St. Louis

by Steve Callahan • Jul 6, 2026

Opera Theatre of St. Louis presented its Center Stage evening on Tuesday, and it was a glorious capstone to the company’s 2026 festival.  It featured the best young opera talent in America. 

Maxx Eddy To Make Edinburgh Fringe Debut With BI MEETS WORLD

Maxx Eddy To Make Edinburgh Fringe Debut With BI MEETS WORLD

by Chloe Rabinowitz • Jun 23, 2026

Los Angeles comedian Maxx Eddy will make his Edinburgh Festival Fringe debut with Bi Meets World, a chaotic and sharply self-aware hour about bisexuality, masculinity, internet relationships and the ridiculous performance of being 'a real man.'

Review: CAT ON A HOT TIN ROOF at The Gamm Theatre

Review: CAT ON A HOT TIN ROOF at The Gamm Theatre

by Caitlin Howle • Jun 1, 2026

As I am writing this for the Rhode Island section of Broadway World, I feel as though I am uniquely equipped to talk about Tennessee Williams, or at least the world that so often lives inside his work, being that I am a Southerner who has now spent roughly thirteen years in New England.

Review: Circa's HUMANS 2.0, Presented By Spoleto USA

Review: Circa's HUMANS 2.0, Presented By Spoleto USA

by S.E. Barcus • May 28, 2026

Contemporary circus company, Circa, has come to Charleston, South Carolina, as part of Spoleto USA’s 50th season,  with their Humans 2.0.  This is the next installment after their successful Humans production — although with their current creation and context, the “2.0” more ironically evokes a software upgrade than a performance sequel.

Review: OUR MOTHER'S DAUGHTERS, The Hen & Chickens Theatre

Review: OUR MOTHER'S DAUGHTERS, The Hen & Chickens Theatre

by Amber-Rae Stobbs • May 27, 2026

At the heart of every female friendship group, no matter the age group, is love and a joint effort to make sure you’re in each other's lives until you’re old and grey. Our Mother’s Daughters looks at the question of ‘is loving someone enough to look past their political views and belief systems?’, and wonders how complex being alive actually is. 

Review: THE PIRATES OF PENZANCE at St. Louis Opera Theatre

Review: THE PIRATES OF PENZANCE at St. Louis Opera Theatre

by Steve Callahan • May 26, 2026

It's almost a century-and-a-half old, but it's as fresh and appealing as when it first bounded into the public eye on New Year's Eve, 1879.  It's The Pirates of Penzance—perhaps the most irresistible of Gilbert and Sullivan's comic 'Savoy' operas.  Opera Theatre of St. Louis has opened a delicious production of this gem.

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