'The Fear of 13' Broadway review — Adrien Brody and Tessa Thompson bond behind bars
7 / 10
There are exceptions: An arresting moment comes when two inmates use music to express their love and rebel against the brutalizing prison system, and a final scene with Nick succeeds at tugging the heartstrings. Too often, however, the play leans into gravity-sapping laugh lines. Case in point: Nick calling a cop’s false testimony an Oscar-worthy performance — “Fuckin’ Daniel Day-Lewis over here” — is a needless knee-slapper.
