The Big Voice: God or Merman? - 2006 - Off-Broadway Articles Page 20

Joshua Turchin will host a Halloween-themed installment of 54 Below DUELS at 54 Below on October 25, 2026, at 9:30 pm, featuring performers from Broadway, TV, and film.

Discount tickets to a fabulous show included in this email

Jayson Borenstein will produce and star in the rarely staged Mel Brooks musical, with Julia Germer, at the Ethical Society Auditorium during the Philadelphia Fringe Festival.

Betsy Wolfe, Greg Hildreth, Kate Reinders and Matthew Wilkas will join September L. Davis on stage at Studio Seaview for her limited-run confessional musical retrospective, THE APOLOGY TOUR.

Seven guide dog puppies in training visited London's Duchess Theatre to meet the cast of THE PLAY THAT GOES WRONG and watch extracts from the Olivier and Tony-winning comedy as part of their socialization training. Check out photos here!

Ahead of Claybourne Elder’s upcoming 54 Below show, the actor gets candid on his Mormon upbringing and exclusively tells BroadwayWorld there is power in setting boundaries and saying ‘no.’

DreamWrights Center for Community Arts will present a fall Main Stage double feature pairing the comedy MOTHER GOOSED with four original short fables in York, Pennsylvania.

What did our critic think of THE ARCHERS: LIVE AT 75, NEW WIMBLEDON THEATRE at New Wimbledon Theatre?

Celebrated Canadian actors Sophia Walker and André Morin are, as they say, 'booked and busy.' Walker and Morin star in not only one Shaw Festival production this season, but two: Ohio State Murders and A New Work in Progress.

Rosalind Adler and Lea Sellers tackle the artistic consequences of tyranny in this sluggish, derivative, and uninteresting piece of theatre. Taking Dmitri Shostakovich’s relationship with Stalin’s regime as their protagonist, they try to weave a thought-provoking exploration of creativity and politics, but neglect to actually dive into what made this man intellectually appealing. Active in Petersburg at the height of Socialism, he toed the line between compliance and resistance, composing music in defiance of a system he could never believe in. Politically, psychologically, and morally, the topic is absolutely fascinating. The reality of Holy Fool is that this is a boring play, both dramatically and conceptually.

Steven Sater also exclusively tells BroadwayWorld he hopes a 29-hour workshop and potential visual album are next for his new musical 'Murder at the Gates.'

American Theatre ranked it #3 among the most influential shows of the past 25 years. Now see Topdog/Underdog at Curious.

While I always mourn the end of summer as we flip the calendar to September, there is one tradition that softens the blow: the finale of Mama’s Next Big Act at Don’t Tell Mama, now in its ninth year.

Two River Theater kicks off their 2026/2027 Season with August Wilson's The Piano Lesson directed by Francois Battiste. Previews begin September 12 and the production runs through October 4 in the Joan and Robert Rechnitz Theater.

Stage dooring has long been a beloved Broadway tradition, giving theatregoers a chance to meet performers after a show. But if you've never done it before, you might have questions. Where is the Broadway stage door? How long do you have to wait? Will every actor come out? And what exactly is proper stage door etiquette? We're breaking down everything you need to know about stage dooring on Broadway.

Original SIX stars Aimie Atkinson and Natalie Paris join The Roundtable with Robert Bannon for a BroadwayWorld Exclusive celebrating a pretty incredible full-circle moment. After originating Katherine Howard and Jane Seymour in the West End and earning Olivier Award nominations for their performances, the longtime SIX favorites are now making their Broadway debuts in the very roles that helped make them fan favorites around the world.

Write Out Loud, the annual contest creating opportunities for musical theater’s next generation of songwriters, has announced the cast of its upcoming eighth studio EP. BroadwayWorld shares exclusive photos from inside the studio.

BroadwayWorld catches up with Yilin Yan, director of the Chinese production of Backstage and founder of Blue Eyes Theatre, to talk about bringing the production to the Camden Fringe and Edinburgh Festival Fringe this summer.

Those summer days may have drifted away, but oh—autumn has begun! Labor Day marks the unofficial end of summer, and what better way to celebrate a well-earned day off than with some of Broadway’s hardest-working characters? Pour yourself a cup of ambition, put your feet up, and clock in for a musical theatre marathon. From factory workers and waitresses to newsboys, secretaries, sailors, salesmen, and plenty of other characters earning their keep eight shows a week, Broadway has never been short on songs about the daily grind. We’ve rounded up 60+ of our favorite Broadway showtunes about jobs, careers, and working hard all the livelong day.

Raúl Esparza has spent plenty of time on stages and screens, but this summer brought him back to one of his favorite places: the Delacorte Theater. BroadwayWorld's Richard Ridge caught up with Esparza backstage during his run as Leontes in The Public Theater's Free Shakespeare in the Park production of The Winter's Tale. For Esparza, returning to the newly renovated Delacorte was particularly meaningful. Watch in this video.

Playwright and GALA Artistic Director Gustavo Ott discusses the world premiere of GARBO: THE ACTOR WHO SAVED THE WORLD, a true-story WWII espionage thriller running September 3 through 27, 2026 at GALA Hispanic Theatre.

Watch a video of The Rocky Horror Show swing Anania deliver an exclusive performance of 'Science Fiction/Double Feature.' Filmed at the Laurie Beechman Theatre, she shares her rendition of the opening number with Jane Cardona on the piano.

The Broadway grosses provide valuable information that can give insight into everything from what producers and investors choose to bring to Broadway next to what show might have a discounted ticket available for the average theatergoer. Historically, this data has been tracked for over a century. The collective data of many shows’ grosses over previous seasons presents patterns which contribute to ticket pricing decisions and scheduling decisions, such as when a limited run should plan to open and close. The grosses guide Broadway marketers and advertisers in every day decision-making as well, giving data to base spends and new placements on.