Tartuffe is in our house. We’ve got to get him out.
Tony Award nominee Lucas Hnath (Red Speedo; A Doll’s House, Part 2) and Obie Award winner Sarah Benson (Teeth, Fairview) conspire to bring us a razor-sharp reinvention of Molière’s iconoclastic comedy in a mad-dash production full of ferocious wit, outrageous design, and downright buffoonery.
The online blurb for New York Theatre Workshop’s new production of Moliere’s 1664 comedy “Tartuffe” promises “a mad-dash production full of ferocious wit, outrageous design, and downright buffoonery.” I beg to differ. While it’s possible you may have a reasonably pleasant time, especially if you’ve never seen this classic comedy before, that description is not exactly truth in advertising.
It’s the best stage performance I’ve seen Broderick give in many years. The production capitalizes on his off-kilter energy to upend our notions of who Tartuffe is and his soft-spoken tone is, in its own way, a heightened style of acting. This was the first time I’ve seen a Tartuffe that made me miss Tartuffe when he wasn’t onstage, a feat all of its own.
| 2025 | Off-Broadway |
Off-Broadway |
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