Theater Review: Electric Jolts From a Jukebox in Tina: The Tina Turner Musical
9 / 10
The impersonation itself isn't perfect. After a run of scenes speaking in Turner's distinctive voice, Warren sometimes sounds like she's lapsing into 'cartoon old lady' instead of Turner's sandy rasp. But who cares? It's never a barrier, and it's all forgotten the moment she sings. Director Phyllida Lloyd has built long, multiscene sequences in Tina that crash like waves, massive song after mammoth hit after monster performance. Warren doesn't bear up under them-she rises up and smashes down too. She's gigantic. She's tidal.

