At ten years old, Martin Hill was on the brink of stardom, down to the final two contenders for the role of Harry Potter but narrowly missing out. Now an adult, Martin is about to embark on the ultimate adventure – fatherhood. As he navigates this whirlwind of emotions, he is pulled back to that pivotal moment in his past as he struggled to move beyond imagining what his life might have been.
Second Best is a playful yet poignant new comedy about fate, near-misses and the winding paths life takes. It explores the ache of almost touching greatness and the humour and hope that come when dreams remain just out of reach. A story about the tender moments that shape
us, Second Best is for anyone who has ever wondered about the road not taken, and whether the other life would have been as glittering as it looks.
Starring Asa Butterfield (Netflix’s Sex Education) in his stage debut, written by Barney Norris, based on David Foenkinos’ best-selling novel and directed by Michael Longhurst.
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Captioned: 18 February, 8pm
Barney Norris’s script — based on a novella by the French writer David Foenkinos — explores obsessive thoughts about the road not taken. Butterfield, better known as the awkward Otis Milburn in the TV series, is very assured, pacing back and forth on a glossy white letterbox set strewn with odd items of furniture and bric-a-brac, including a video camera on which he reprises his first, fateful audition. Imagine an innocent ten-year-old being asked to switch between looking vulnerable, hopeful and cheerful in seconds.
Asa Butterfield of Sex Education fame makes his stage debut in Second Best and he is undoubtedly a very good actor. He does well with the material he is given to try and connect with his audience. An acclaimed screen actor, he occasionally struggled to keep fully embodied in his character which is a hard job for anyone as the only actor on stage for 90 minutes straight through. Not once does he leave the stage. One person performances are the greatest challenge an actor can face but Butterfield was warm and likeable yet seemed occasionally disconnected from the material itself. For me ultimately this production was just somewhat lacking. It needed more life and light especially for a comedy. Perhaps however watching a character grapple with mental health while finding hope and meaning in life was rather the point.
| 2025 | West End |
West End |
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