Review: MAN TO MAN, Royal Court
by Franco Milazzo - Sep 13, 2026
Those worrying that Tilda Swinton — the patron saint of Sunday afternoon arthouse movies and performance art best experienced through reviews — has gone mainstream should make themselves a cup of chamomile tea and relax. There are likely very few famous actors (never mind Oscar winners) queuing up to spend their night daubed in white paint and standing alone for 80 minutes dressed in little more than a string vest and giant red y-fronts. There are, though, plenty of people eager to watch la Swinton: the London run has already sold out ahead of press night before, like a rock tour, the play heads to Edinburgh, Berlin and New York.
Music Icon Dolly Parton Has Passed Away at Age 80
by Team BWW - Aug 25, 2026
Global icon and humanitarian, Dolly Parton, known to the world as a beloved singer, songwriter, philanthropist, actress, playwright, and author died peacefully today in Nashville, Tennessee. She was 80 years old.
Review: INTO THE WOODS We Go Again at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Aug 1, 2026
One of the greatest joys of experiencing live theater comes from the ability to revisit a past show through a new lens. When shows are revived or a new company mounts their own production, this allows newer voices to put their stamp on timeless material. The hallmark of any timeless story is its ability to transform and adapt with the changing times. Part and parcel with this is a willingness to step out of one’s comfort zone in order to provide a new emotional truth to material that is both familiar and unknown.
Broadway's Family Legacy: A History of Sibling Writers
by Jennifer Ashley Tepper - Aug 2, 2026
Over the years, Broadway has seen a number of family acts sharing the stage. It’s extra special when family members team up to write a Broadway show together. The Great White Way has seen many instances of this historically, in a variety of different situations. While last week’s column focused on spouses penning shows together, this week is all about blood relatives partnering to write work.
STEEL MAGNOLIAS to Open at Conejo Players Theatre
by Stephi Wild - Jul 24, 2026
Conejo Players Theatre will present STEEL MAGNOLIAS, Robert Harling's play about friendship, family, and resilience, for a limited run in Thousand Oaks. Learn more here.
Who Will Win at the 2026 Tony Awards?
by Sidney Paterra - Jun 3, 2026
The 79th Annual Tony Awards are this Sunday, June 7, 2026. It's the biggest awards show of the Broadway season and it closes out a long awards season for Broadway and Off-Broadway musicals and plays. Which Best Musical and Best Play nominees will take home the ultimate prize?
RITA, SUE & BOB TOO! Will Embark on UK Tour in 2027
by Stephi Wild - Apr 23, 2026
Regal Entertainments Ltd announced a new UK tour of RITA, SUE & BOB TOO!, visiting 11 venues across Britain. Directed by Chantelle Joseph, the production is based on Andrea Dunbar's cult 1987 film. Casting is yet to be announced.
Review: EVERYTHING, DEVOURED at Sitar Arts Center
by Aidan O'Connor - Apr 19, 2026
Picture former United States President Ronald Reagan as a demon drag queen summoned to the Chicago apartment of a group of twenty somethings. A bit bizarre to think about. On paper, the far-fetched, extraordinarily unique pitch shouldn’t work. Yet, in the world premiere production of Everything, Devoured, playwright Katherine Gwynn has created a superbly demonic play rooted in pure humanity.
The Many Roles of Laurie Metcalf on Stage and Screen
by Stephi Wild - Apr 25, 2026
Laurie Metcalf is back on Broadway! The actress of stage and screen is back in New York, starring in Death of a Salesman. As Metcalf takes her next Broadway bow, we're looking back on some of her many iconic roles.
Review: You'll Love Keeping MISERY Company at B St. Theatre
by Courtney Symes - Feb 3, 2026
The B St. Theatre is kicking off its 40th anniversary season with an ambitious piece, and if you’ve never seen a show there, you should make this current production your first. You’ll become their number one fan, just like Annie Wilkes in this adaptation of Stephen King’s 1987 novel, Misery. William Goldman, who adapted both the film and stage versions, appreciated the story’s psychological battle, which is brought to life with suspense and unexpected humor under John Lamb’s direction.
Review: Play It Again, Orpheus! HADESTOWN at Dr. Phillips Center For The Performing Arts
by Albert Gutierrez - Nov 29, 2025
This new approach to the storytelling of Hadestown helped make me appreciate some of the compromises on the tour. And to further appreciate what they still maintained from the first tour and Broadway production. The set’s slightly modified (Hades’ door is more centered, for one), but we get to keep the band onstage. We get that dingy café feeling through the layout. We hold on to the iconic props – the rose, the candle, the guitar, the lamps – as well as the steampunk design of the costumes. The Workers are still a core five that inhabit both worlds and create their own, unspoken storylines through their movement and couplings. And the characters themselves are still the same, timeless figures that make Hadestown always feel like a new experience every time.
UNDER THE MERSEY MOON Reveals Full Cast For 2026
by Stephi Wild - Oct 6, 2025
New country musical Under the Mersey Moon will return to the Floral Pavilion in the New Year – and producers have announced the talented cast of actors and musicians who will entertain audiences.
BACHELOR MAN Plays As Tarragon Theatre's Guest Presentation Residency
by Stephi Wild - Aug 22, 2025
RCTC's Artistic Director Andrew Moodie and Artistic Producer Brenda Kamino are the Tarragon Theatre's 2025-26 Resident Guest Presentation and will usher in their season with the reimagined revival production of BACHELOR MAN written by Winston Kam.
Baayork Lee Speaks With Richard Jay-Alexander About A CHORUS LINE at 50
by Richard Jay-Alexander - Jul 21, 2025
The legend and Special TONY Winner Raises The Curtain on all things ACL, as Michael Bennett’s masterpiece celebrates its 50th Anniversary in New York City, which will reverberate and be recognized across the world, where hundreds, if not thousands, of productions have been performed in 22 countries, in multiple languages, and as far-reaching as Canada, Australia, Italy, New Zealand, South Africa, Spain, France, Sweden, Japan, Argentia, Brazil, Mexico, Singapore, Belgium, Denmark, Switzerland and Hong Kong, among them, since 1975.