Punk, or The Amateur Rehearsal - 1923 - Broadway Articles Page 20

We caught up with stage and screen director Jason Moore, who spoke about working on Prime Video's Elle, his theatrical directing style, and returning to direct Avenue Q decades after the original production.

See some of the biggest names with free outdoor concerts in NYC this summer including the rapper Common, singer-songwriter Andrew Bird, “human beatbox” Doug E. Fresh and more.

See some of the top outdoor concerts across NYC's five boroughs this week with the Afro-Latino Festival NYC, Lincoln Center's Chinese Arts Week, jazz, a celebration of Black DJs, and more!

52 Lovers is a thoroughly entertaining, surprisingly introspective, and profoundly motivational show, complete with a dash of subtle absurdist humor, plenty of magical amazement, and all around simple fun.

BWW caught up with standup comedian Hannah Morton to chat about bringing Crushed to the 2026 Edinburgh Festival Fringe.

The Roundtable with Robert Bannon is hitting the road! In this special BroadwayWorld Exclusive, East Coast Correspondent Adrienne Garzillo heads to the heart of New York City's Theater District for one of Broadway's most beloved annual traditions—Broadway Barks in historic Shubert Alley! Watch in this video.

We caught up with songwriter Sam Haft, who shared insights into writing songs for the hit series Hazbin Hotel, discussed the challenges of staging musical numbers that were written for animation, and his unique new musical, The Con.

The late '90s gave us no shortage of teen dramas, but few have remained as deliciously watchable as Cruel Intentions. Mixfit Theatre's production of Cruel Intentions: The '90s Musical, playing through July 24 at LUSH Lounge & Theater, captures the film's blend of privilege, manipulation, and guilty-pleasure nostalgia without trying to update what already works.

Josh Rivera is making his Broadway debut as Rocky in Roundabout Theatre Company's revival of THE ROCKY HORROR SHOW. The screen star discusses Sam Pinkleton, finding Rocky's humanity, and why the cult classic still resonates today.

Whether you've been planning to see it since opening night or are just discovering the production, here are 10 reasons why Joe Turner's Come and Gone deserves a spot on your Broadway calendar before the curtain falls.

Every great road trip deserves a great soundtrack, and who better to provide it than Broadway? We've rounded up show tunes inspired by cities, states, countries, and all the adventures in between, so whether you're driving across the country or just across town, your next trip is about to get a whole lot more theatrical. Go on your very own Broadway road trip this summer!

Broadway says goodbye to Proof, which closes at the Booth Theatre, following 15 previews and 109 regular performances. The next tenant for the venue has not yet been announced.

In America, the dance marathon occupies a peculiar place in the cultural imagination. A relic of the Great Depression, it survives less as history than as nostalgic mythology. Greek choreographer Katerina Andreou and the Norwegian dance company Carte Blanche draw on that tradition for How Romantic, now performing at the Festival d'Avignon's La FabricA.

Some performances leave their audience behind, plunging them into an unfamiliar thematic abyss. Others extend a hand, inviting us to understand. François Gremaud's Mon Frère, now playing at the Festival d'Avignon's La Chartreuse, belongs firmly to the latter.

Theater camps like Stagedoor Manor and French Woods Festival of the Performing Arts have some incredibly famous alumni. BroadwayWorld looks at a handful of former campers who eventually made their way to Broadway.

Tony ® Award-winning stage and screen legend Betty Buckley today releases her new live album, Enough, via Palmetto Records. Recorded during her acclaimed 2025 residency at Joe's Pub in 2025, the 13-track collection is now available on all major streaming and digital platforms

In a Festival of sweeping epics, intimate works can easily get lost in the shuffle. Their idiosyncratic passions bob in the wake of productions that announce themselves as game-changing theatrical events. Madeleine Fournier's disarmingly charming and deeply considered Growing Piece, now performing at the Festival d'Avignon's CDCN d'Avignon, is one of those quieter works that deserves to be discovered.

Contrary to the place critics occupy in the cultural imagination, I dread the prospect of an artist reading a negative review I have written. I stand by my perceptions of the works I review, yet I also hold to Anton Ego's maxim in Pixar's Ratatouille: 'In the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so.'

Looking to escape from the hot sun? Why not check out one of the many intriguing offerings at greater Boston venues where this summer’s vibrant theater scene boasts pre-Broadway productions, national tours, and summer-stock productions of everything from Shakespeare to classic and contemporary plays, musicals, and concerts. Bay State audiences have much to look forward to, including:

What are the binds that tie us? That's the question posed by Muriel Imbach's delightful intergenerational work Nous ou Le Paradoxe du Hérisson, now performing at the Festival d'Avignon's Théâtre Benoît XII.

Since The Lost Boys took Broadway by storm this spring, there has been much chatter about the “vampire curse” on Broadway being lifted. In the early 2000s, Broadway received a string of three vampire musicals, which all closed relatively quickly. Dance of the Vampires (2002), Dracula (2004), and Lestat (2006) each received attention in their own right, but they also received attention as a group, since it was remarkable that they came along in such quick succession. But the early 21st century wasn’t the first time vampires thirsted on Broadway. The play adaptation of Dracula was a hit all the way back in 1927 and an even bigger hit in a 1977 revival. And there have been vampires lurking in the theatre district in all sorts of other projects too…