Living Out - 2003 - Off-Broadway Articles Page 1

Broadway has a long history of one-person shows, including many that have been added to the canon in this century.  Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life. 

Performances are now underway for  CATS: The Jellicle Ball, which begins preview performances Wednesday, March 18 at the Broadhurst Theatre ahead of a Wednesday, April 7 opening night. Meet the cast here!

Today’s subject David Andrews Rogers Is currently living his theatre life and a lifelong dream on the conductor’s podium as the Musical Director and Conductor of the new touring production of Disney’s Beauty and The Beast. The show begins performances here in DC on March 18th and will play through April 5th at the National Theatre.

Benjamin Eisenhouer performed Dewy Fin with the same energy and comedic style as that of Jack Black. He connected well with the students and his character development had you rooting for him in the end. Bethany Maylkh had strong performance as the stern principal with an inner love for rock. The song, “Stick it to the Man,” was performed with such enthusiasm by the students. You could tell it was one of their favorites. Another student song, “If Only You Would Listen” was heartfelt and showcased the love and pain in the relationship between the students and parents.

xSteppenwolf Theatre Company has unveiled its 2026/27 Season. The 51st Season features five Steppenwolf Membership Series productions: two world premieres, a Chicago premiere, an English-Language premiere and a modern masterpiece.

Grand Rapids Civic Theatre will present a special centennial season featuring a lineup of classic and contemporary shows, marking a century of theatrical excellence.

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

Go Live Theatre announced a special event West End Memories - Rosalyn Wilder in conversation with Patricia Hodge taking place on Monday 9 March 2026 at 7pm at The Theatre at the Hippodrome Casino.

The Dayton Performing Arts Alliance has announced that Kathleen Clawson will step down as Artistic Director of Dayton Opera at the conclusion of the 2025–2026 season.

This history gives context to the legacies of theatrical dynasties—considered to consist of at least three subsequent generations of theatre creators. In 2026, there is a stigma around any successful professional who follows a parent into their line of work, with this being seen as a pattern of nepotism.

To say that the Tony Award-winning 2022 musical “Some Like It Hot,” which Broadway in Boston is presenting at Citizens Opera House through February 8, has quite a pedigree is putting it mildly.

While much of the dramatic weight of Angels in America undeniably stems from the specter of AIDS, it would do the play a huge disservice to reduce it to a story about disease alone. What Theater West End makes clear is that Kushner’s work is as much about identity, loss, and the human struggle to reconcile who we are deep down with who we present to the world.

The Broadway production of Ragtime was a glorious accomplishment, a riveting testament to the original American musical and to all that America itself could be. The show ran for 834 performances at the Ford Center, closing in the final year of the 20th century. It was nominated for 13 Tony Awards, taking home four.

KNOW THE PLACE FOR THE FIRST TIME is a show that was born out of disaster, catastrophe, and a feeling of being at a place where I couldn't go on the way that I had been going on...

Every Broadway show needs general management and Wendy Orshan and Jeffrey M. Wilson are here to provide. The pair heads 101 Productions, Ltd.- a theatrical General Management firm formed in 1994.

We had the opportunity to interview Dana Zell who has served as the Managing Director of CMT for the past 10 years.

Today’s subject Academy and Emmy Award winning composer Rachel Portman has a career that includes scoring for over100 films, television and a stage musical of Little House on the Prairie. This week her foray into opera can be seen and heard in the Terrace Theater At Kennedy Center as Washington National Opera (WNO) presents The Little Prince as their annual family opera offering. The show runs for only five performances between December 12th and 14th. WNO first performed it 2014. It premiered at Houston Grand Opera in 2003.

The Foyle Foundation has announced £2.2 million in funding for Community Foundations across the nations and regions of the UK and Northern Ireland as it completes its 25-year grant giving journey.

From December 3-14, 2025, FROM THE OTHER SIDE transforms La MaMa into a home for an incredible group of Balkan artists, on Wednesday, December 3, 2025 at 1PM.

It's one of those dream shows, you know? From the second that I first encountered it, I saw myself in it, and it became an aspiration to be in that show, to tell that story. It's always had this pull to it.

In honor of the Aida’s 25th anniversary, BroadwayWorld spoke to stars Heather Headley (Aida), Adam Pascal (Radames), Sherie Rene Scott (Amneris), Schele Williams (Nehebka), as Thomas Schumacher (original producer and Disney Theatrical Group chief for its first three decades), lyricist Tim Rice, and book writer David Henry Hwang to compile an oral history of the show’s early days, transition to Broadway, and legacy beyond the boards.

Sara Mearns is in the spotlight as a principal dancer at New York City Ballet, where she has spent the past two decades of her career. Yet, even at the top of her field, she relies on off-season gigs to cover New York rent on a 37-week contract.

With the new documentary This Place Matters! Ten Chimneys, CEO Randy Bryant aims to shed light on the rich history of Ten Chimneys and its enduring presence in the theater community.

“You have to prepare your soul and clear your mind as you’re getting ready to go on. I ask myself, ‘why are you sending this message?’ and ‘what does the message mean to you today?’ every day before I go out on stage.” Mary Mulovhedzi

Drag culture in La Cage aux Folles isn’t just the “bold face” of the gay community; it’s a celebration of visibility itself, a way of inviting even those on the periphery to understand more deeply what it means to live authentically, unbothered, and unashamed.