On April 24, the day of Barbra Streisand’s 83rd birthday, Jenna will perform her show Me, Myself & Barbra, a special one night only event at the Westport Country Playhouse.
George Street Playhouse is presenting What the Constitution Means to Me, written by Tony Award nominee Heidi Schreck, and directed by Laiona Michelle. Get a first look at photos of Kate Baldwin in the production and learn how to purchase tickets.
Birdland presented singer Karen Mack in concert on Monday, August 26. The event celebrated Karen’s new solo album 'Catch & Keep,” a fun mix of contemporary jazz classics, including works by Dave Frishberg, Bob Dorough, Nellie McKay and Betty Bryant. See photos from the show.
The debate is heated in Congress and the stakes are high. The future of the United States of America is on the line. Will the delegates vote for independence and fight for their right to live in a new democracy? In the musical 1776 playing July 26 at The Contemporary Theater Company (CTC), the Founding Fathers take center stage. See photos from the production.
What did our critic think of BEAUTIFUL THE CAROLE KING MUSICAL at Beck Center For The Arts?
VJM: Thank you both for giving of your time to answer my questions. I don’t think I’ve ever heard of two Choreographers being hired for the same Broadway show, not even a revival, that I can think of. How did that come about for both of you? Ellenore Scott: Funny Girl was my Broadway debut as a choreographer. I was so happy when I got a call from Michael Mayer (the director) asking me to work on this revival with him. He knew I was NOT a tap dancer and was aware of the multiple tap routines in the show and asked if I would be down to share the billing with Ayodele Casel. Ayo is an extraordinary artist so I was thrilled to be by her side as she made her Broadway debut as well. Michael first met me initially at Head Over Heels on Broadway where I was an associate choreographer to Spencer Liff. In 2019, he asked if I would choreograph the Off-Broadway revival of Little Shop of Horrors and we opened the show October 17th, 2019. I have loved working with Michael and feel as though he Keeps his people close and I’m grateful he thought of me for this historic revival. Ayodele Casel: I met Michael Mayer in 2016 when he directed a New York City Center Encores! show I performed in. Later that fall he invited me to perform that piece in a Broadway for Hillary fundraiser he was also directing. We'd kept in touch over the years and in 2019, after seeing a show I’d premiered at The Joyce Theater, he asked if I would be interested in providing the Tap choreography for a revival he was working on. Like Ellenore shared, Michael wanted to work with us both to deliver the full choreographic vision of the show. I believe it was a very progressive vision on his part and I’m really thankful that I was able to make my Broadway debut with this team.
