When former members of the Weismann Follies reunite on the eve of their theater's demolition, two couples remember their past and face the harsher realities of the present. In the crumbling glamour of the theater, the shadows of their younger selves remind them of the complicated steps they've danced - both on the stage and throughout their lives. Containing such well-known songs as Broadway Baby, I'm Still Here, Too Many Mornings, Could I Leave You? and Losing My Mind, Follies echoes the songs, exuberance and romance of the vaudeville days between the two World Wars.
Is a serviceable Follies good enough? Yes, because the 1971 classic is such a rich, dark leap into regret, with a witty and poignant Sondheim score--and besides, the Eric Schaeffer-directed production rises to the occasion for Act Two. It's still Follies, and with its go-for-broke emotionalism, this production is definitely worth a visit before they tear down the Marriott and make it a parking lot.
Eric Schaeffer’s lavish production, which features a 41-member cast and a 28-piece orchestra, originated at the Kennedy Center in Washington, D.C. It has improved since then...Peters fully captures Sally’s sweet and innocent center. Burstein violently throws himself into the role of Buddy, bringing the character’s pent-up anger to manic heights. Maxwell, who is better known as a dramatic actress, proves that she can handle a tough musical role. Raines credibly portrays Ben’s downward spiral from cocky self-denial into helplessness.
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