Review: Once a storefront theater curiosity, ‘Bug’ opens big on Broadway
8 / 10
The scariest change, though, is that in an America where guardrails have fallen, tech-sector parasites run amok in our hands and heads, and trust in government is close to nonexistent, what seemed totally implausible in 1996 now feels like reasonable societal comment. At one point, there is worry about whether one of the characters is some kind of robot. Thirty years ago, I vividly recall laughing that off as a device of plotting and one of Letts’ signature, genre-driven games with many more yet to come. This time around? Not at all. Felt perfectly plausible.
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