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SEATTLE THEATER REVIEWS

The latest reviews and critic recommendations from Seattle
BWW Review: Shakespeare in ASL with Sound Theatre Company's Delightful A MIDSUMMER NI

BWW Review: Shakespeare in ASL with Sound Theatre Company's Delightful A MIDSUMMER NIGHT'S DREAM

by Amelia Reynolds — May 3, 2018
Finally! In collaboration with Deaf Spotlight Presents, Sound Theatre Company has produced a bilingual "A Midsummer Night's Dream" with English and American Sign Language. This performance, now at 12th Avenue Arts, may have a streamlined aesthetic, but the incorporation of ASL makes the original Sha...
BWW Review: ArtsWest Really Goes for It With Demented Racial Carnival Ride AN OCTOROO

BWW Review: ArtsWest Really Goes for It With Demented Racial Carnival Ride AN OCTOROON

by Amelia Reynolds — April 30, 2018
ArtsWest does it again with another cool, cutting-edge production about identity with their latest show, 'An Octoroon'. Many modern adaptations of antiquated productions pointing out racism, though well-intended, are comparatively watered-down to Brandon J. Simmons' razor-sharp adaptation of 'An Oct...
BWW Review: WET's Creepy Techno-thriller THE NETHER

BWW Review: WET's Creepy Techno-thriller THE NETHER

by Jay Irwin — April 28, 2018
As the folks at Washington Ensemble Theatre point out over and over in the lobby and in the press info of their latest offering, Jennifer Haley's "The Nether", the show is filled with trigger warnings and not for the faint of heart. With strobe lights and elements of violence and sexual assault of ...
BWW Review: A Powerful GOAL! From ACT's THE WOLVES

BWW Review: A Powerful GOAL! From ACT's THE WOLVES

by Jay Irwin — April 27, 2018
Slice of life plays can be difficult, at least I've always found them so. They tend toward story, upon story, upon story, with little through line or resolution as life goes on. Such could be the case with Sarah DeLappe's "The Wolves" currently at ACT were it not for the fact that it's chock full ...
BWW Review: Horse in Motion's Immersive HAMLET in Stimson-Green Mansion Truly--and Tr

BWW Review: Horse in Motion's Immersive HAMLET in Stimson-Green Mansion Truly--and Triumphantly--Unique

by Amelia Reynolds — April 26, 2018
It did not surprise me in the least to discover that Horse in Motion's immersive “Hamlet” is completely sold out for the remainder of its run. On the evening of my attendance, the waitlist was twenty people deep. If you get lucky enough to see the production, whether from showing up at 6:30PM on...
BWW Review: Powerhouse Performances in Book-It's BRIEF WONDROUS LIFE OF OSCAR WAO

BWW Review: Powerhouse Performances in Book-It's BRIEF WONDROUS LIFE OF OSCAR WAO

by Jay Irwin — April 22, 2018
Book-It Repertory Theatre has once again brought to life another gripping tale, this time with Junot Diaz's, "The Brief Wondrous Life of Oscar Wao", as adapted and directed by Elise Thoron. And as gripping as the tale is what makes it even more riveting are the powerhouse performances from the over...
BWW Review: MAP's Dark Absurd Comedy YEAR OF THE ROOSTER

BWW Review: MAP's Dark Absurd Comedy YEAR OF THE ROOSTER

by Jay Irwin — April 15, 2018
On the surface Olivia Dufault's "Year of the Rooster" doesn't seem like a fun night out filled with laughs. A play about a failed trainer for cock fights. And to be honest it packs an ending that will not send you whistling into the street filled with hope for tomorrow. But this is MAP Theatre, a...
BWW Review: 5th Avenue's KISS ME, KATE is a Love Letter to Those Who Came Before

BWW Review: 5th Avenue's KISS ME, KATE is a Love Letter to Those Who Came Before

by Jay Irwin — April 14, 2018
When you think the classic era of Broadway Musicals, many lean toward Rodgers and Hammerstein or Lerner and Loewe but for my money I always go right to Cole Porter. Maybe not as prolific when it comes to hit shows as the others but you can't dismiss the undeniable genius of "Anything Goes" and of c...
BWW Review: Gospel, Storytelling, and Fabulous Hats with Taproot Theatre's Musical CR

BWW Review: Gospel, Storytelling, and Fabulous Hats with Taproot Theatre's Musical CROWNS

by Amelia Reynolds — April 8, 2018
“Crowns” is a feel-good musical about hats. But it's also so much more than hats, in the way “The Vagina Monologues” is about more than just the female anatomy. Now performing at the Taproot Theatre, “Crowns” delights in this colorful production about history, experience, and culture....
BWW Review: High-Energy Performances and Low-Hanging Fruit with Theater Schmeater's F

BWW Review: High-Energy Performances and Low-Hanging Fruit with Theater Schmeater's Farcical THE COUNTRY WIFE

by Amelia Reynolds — April 5, 2018
Theater Schmeater's 'The Country Wife' satirizes an appalling production from 1675 by the same name. Adapted by Rachel Adkins, this restored Restoration comedy keeps the story from the original roughly the same, but with some modern components and adaptations to gussy up the satire. 'The Country Wif...
BWW Review: Theatre22's HAPPIEST SONG PLAYS LAST: Punchy, but Discordant

BWW Review: Theatre22's HAPPIEST SONG PLAYS LAST: Punchy, but Discordant

by Amelia Reynolds — April 4, 2018
'The Happiest Song Plays Last' puts two dissonant narratives side by side. Former marine Elliot (Joshua Chessin-Yudin) puts his wartime experience to practical use for motion pictures, acting as an on-set wartime expert for a docu-drama shot in Jordan. Moments in the script trigger his PTSD, but he...
BWW Review: SCT's NAKED MOLE RAT GETS DRESSED and Gets Rockin'

BWW Review: SCT's NAKED MOLE RAT GETS DRESSED and Gets Rockin'

by Jay Irwin — March 31, 2018
Don't let the fact that the title has the word "naked" in it or that the same word is repeated several times in the opening number fool you. This is, indeed, a children's show. Yes, you are still at Seattle Children's Theatre and it's safe to bring the kids in as we're only talking about cute litt...
BWW Review: Seattle Public's IRONBOUND Delivers Raw Power

BWW Review: Seattle Public's IRONBOUND Delivers Raw Power

by Jay Irwin — March 30, 2018
Seattle Public Theater tends towards the darker, edgier plays. That's not to say they're adverse to a comedy now and then as is evident with their next offering, 'Hand to God' which I saw on Broadway and laughed my butt off all the way through but still a very dark comedy. But I digress. Typicall...
BWW Review: Seattle Rep's World Premiere of THE GREAT LEAP Shoots and Scores

BWW Review: Seattle Rep's World Premiere of THE GREAT LEAP Shoots and Scores

by Jay Irwin — March 29, 2018
If you're familiar with Lauren Yee, possibly from her previous premiere here in Seattle of 'The King of the Yees' last year, you know of her gift for storytelling and crisp dialog. So, when another Yee World Premiere, 'The Great Leap', was announced at the Seattle Rep I was excited. But, oh no! T...
BWW Review: Showtunes' BOYS FROM SYRACUSE Confused About Twins but Not About Fun

BWW Review: Showtunes' BOYS FROM SYRACUSE Confused About Twins but Not About Fun

by Jay Irwin — March 25, 2018
I was speaking with a friend the other day about the current show from Showtunes Theatre Company, "The Boys from Syracuse". He's a somewhat new, fledgling musical theater geek and I said, that it was filled with great Rodgers and Hart songs many of which are standards now. I went through a few and...
BWW Review: Problematic MERCHANT OF VENICE from Seattle Shakes

BWW Review: Problematic MERCHANT OF VENICE from Seattle Shakes

by Jay Irwin — March 24, 2018
Seattle Shakespeare Company has never been one to shy away from a challenge and with their current production of "The Merchant of Venice" they certainly seem to have a challenge on their hands. As I see it they have one challenge they can, and hopefully will overcome as the production continues, th...
BWW Review: ACT and 5th Ave's RIDE THE CYCLONE - A Haunting Thrill Ride You Must Take

BWW Review: ACT and 5th Ave's RIDE THE CYCLONE - A Haunting Thrill Ride You Must Take

by Jay Irwin — March 23, 2018
ACT and The 5th Avenue Theatre's current joint production, 'Ride the Cyclone', now playing at ACT, is one of those quirky little musicals that on the surface should not work. I didn't really know what to expect going in but based on what it is, it's problematic at best. Fortunately for us the bril...
BWW Review: Onward Ho's BIG ROCK - As Solid as Its Title

BWW Review: Onward Ho's BIG ROCK - As Solid as Its Title

by Jay Irwin — March 17, 2018
Ah, the family drama. I've seen too many to count. Parent and child don't see eye to eye even though they're more similar than they realize. Rift comes from neglect/abuse/death of other parent/etc. Catalyst opens wounds further to let secrets out and begin healing. Some work and some are merely...
BWW Review: Village's STRING Plucks Some Good Notes but Feels Incomplete

BWW Review: Village's STRING Plucks Some Good Notes but Feels Incomplete

by Jay Irwin — March 16, 2018
I'm fortunate enough to have been to a few of the Village Originals Festival of New Musicals where they present concert stagings of new shows in workshop. I've seen shows that I've felt needed to polish a bit but then get that bigger, mainstage production and I've seen shows that I've felt should h...
BWW Review: THE IMPOSSIBILITY OF NOW from Thalia's Umbrella a Sweet Twist on the RomC

BWW Review: THE IMPOSSIBILITY OF NOW from Thalia's Umbrella a Sweet Twist on the RomCom

by Jay Irwin — March 12, 2018
Many have wished they could alter the personality of their significant others in some way but it's usually something small. Don't eat in bed. Stop telling corny jokes. Don't spend all our money on geeky toys. But what if your spouse suddenly had a whole new personality … and you liked it bette...
BWW Review: ArtsWest's HIR Takes Gender/Family Issues to an Absurd Level, and That's

BWW Review: ArtsWest's HIR Takes Gender/Family Issues to an Absurd Level, and That's Funny?

by Jay Irwin — March 5, 2018
There seems to be a spate of plays getting a lot of critical acclaim these days that take on societal changes and amp them up to an extreme and absurd level. For example, the recent "Straight White Men" that looked at white male privilege. And now we have the gender conformity examining "Hir" by T...
BWW Review: Seattle Rep's HERSHEY FELDER AS IRVING BERLIN Spotlights an American Icon

BWW Review: Seattle Rep's HERSHEY FELDER AS IRVING BERLIN Spotlights an American Icon

by Jay Irwin — March 1, 2018
Dear Readers, if you're anything like me you grew up with a love for old standards. Those songs from a bygone era that used to dominate the radio waves, many of which came from musicals of the day. And if you love those old standards then you know and love the name Irving Berlin as a hefty number ...
BWW Review: Sound Theatre's YOU CAN'T TAKE IT WITH YOU a Roller Coaster of Commitment

BWW Review: Sound Theatre's YOU CAN'T TAKE IT WITH YOU a Roller Coaster of Commitment

by Jay Irwin — February 25, 2018
Even before Sound Theatre Company's current production of "You Can't Take It With You" began, it showed promise with a stunning, well-appointed set by Robin Macartney. Then the effervescent Shermona Mitchell walked on stage to begin the show with tons of energy, conviction and intent to her charact...
BWW Review: Can Can's ROMEO + JULIET Sizzles

BWW Review: Can Can's ROMEO + JULIET Sizzles

by Jay Irwin — February 24, 2018
It may be cold outside but it is so very hot inside the Can Can with their dazzling production of "Romeo + Juliet". But this is not your typical R+J with its rockin' vocals, thumpin' beat, and just the highlights of a storyline. Oh, and did I mention the cast seems to have trouble keeping their cl...
BWW Review: Camp, Catharsis and Calisthenics with Woody Shticks' MANIAC at 18th & Uni

BWW Review: Camp, Catharsis and Calisthenics with Woody Shticks' MANIAC at 18th & Union

by Amelia Reynolds — February 19, 2018
There are not a lot of people that I would encourage folks pay to watch lip sync and exercise for an hour. But Woody Shticks is one of those people. Performing this Friday and Saturday only at 18th & Union, Shtick's latest solo production 'Maniac' has little to no plot, a meager set design of some f...
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