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Scotland Theater Reviews

The latest reviews and critic recommendations from Scotland.

Review: THE KING AND I, King's Theatre, Glasgow

Review: THE KING AND I, King's Theatre, Glasgow

by Natalie O'Donoghue — May 17, 2023

Starring the West End’s Annalene Beechey and Broadway's Darren Lee, The King and I is the greatest musical from the golden age of musicals – with one of the finest scores ever written including Whistle a Happy Tune and Shall We Dance

Review: FISHERMAN'S FRIENDS, King's Theatre, Glasgow

Review: FISHERMAN'S FRIENDS, King's Theatre, Glasgow

by Natalie O'Donoghue — May 14, 2023

When a group of Cornish fishermen came together to sing the traditional working songs they’d sung for generations, nobody, least of all the fishermen, expected the story to end on the Pyramid Stage at Glastonbury.

Review: LOVE THE SINNER, Tron Theatre

Review: LOVE THE SINNER, Tron Theatre

by Natalie O'Donoghue — May 13, 2023

Initially published as a performance poetry collection, Love The Sinner will be transformed, in a collaboration between Imogen Stirling and Vanishing Point, into a pulsating full-scale theatre show: a fusion of performance poetry, visual theatre and electronic music.

Review, THE MOUSETRAP, King's Theatre, Glasgow

Review, THE MOUSETRAP, King's Theatre, Glasgow

by Fiona Scott — May 3, 2023

After nearly 30,000 performances at the St Martins Theatre, Agatha Christie’s play, The Mousetrap is also playing to theatres around the UK as part of a 70th anniversary tour.

Review: THE SILENCE AND THE NOISE, Streaming

Review: THE SILENCE AND THE NOISE, Streaming

by Louise Penn — April 18, 2023

Raw, brutal, twisted, and full of rich wordplay, this play makes its political points and highlights a relationship which uses regret, mistakes, and teasing to hide what is really happening at its core.

Review: SEAN AND DARO FLAKE IT 'TIL THEY MAKE IT, Traverse Theatre

Review: SEAN AND DARO FLAKE IT 'TIL THEY MAKE IT, Traverse Theatre

by Natalie O'Donoghue — April 16, 2023

Looking for a way out of their humdrum lives in the outskirts of Glasgow, straight-laced Sean, fresh from dropping out of uni, and the gallus Daro, overflowing with charisma and business ‘acumen’, reckon they can be the dream team of frozen treats.

Review: STORYTELLING, Oran Mor, Glasgow

Review: STORYTELLING, Oran Mor, Glasgow

by Natalie O'Donoghue — April 11, 2023

Two people are trying to tell the story of Robert, who isn’t sure who is in charge of his own narrative and whether he even wants to be in the story of his life anymore…

Review: KIDNAPPED, Theatre Royal, Glasgow

Review: KIDNAPPED, Theatre Royal, Glasgow

by Natalie O'Donoghue — April 6, 2023

This riotous re-telling of Robert Louis Stevenson’s adventure novella is jam-packed with 20th century pop music and 18th century romance.

Review: THE SPARK, Oran Mor

Review: THE SPARK, Oran Mor

by Natalie O'Donoghue — March 31, 2023

A government minister develops telekinetic powers after being ‘sparked’ by years of repressed rage in this new comedy-drama.

Review: WRITE-OFF, Oran Mor, Glasgow

Review: WRITE-OFF, Oran Mor, Glasgow

by Natalie O'Donoghue — March 13, 2023

Freddie is a gay man who writes gritty psychological thrillers and refuses to compromise his storytelling approach for the sake of representation or political correctness.

Review: THE WORM WHO TURNED, Oran Mor

Review: THE WORM WHO TURNED, Oran Mor

by Natalie O'Donoghue — March 6, 2023

The Juliet Allotments are the most sought-after plots in Glasgow’s West End and constantly eyed by covetous property developers.

Review: BURNING BRIGHT, Oran Mor, Glasgow

Review: BURNING BRIGHT, Oran Mor, Glasgow

by Natalie O'Donoghue — February 27, 2023

There’s a tiger at the door! Ash is lost, wandering in childhood memories of India while their house fills with flood water.

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