Discover the best reviewed Broadway shows by top critics on BroadwayWorld.
The reviews are in for Label•less, the new musical experience created by Lea and Drew Lachey that officially opened Off-Broadway on June 18. Featuring a cast of young performers sharing real-life stories through music, movement, and personal testimony, the production is now running at The Duke on 42nd Street through August 29.
The world premiere stage adaptation of Black Swan, directed and choreographed by Tony Award winner Sonya Tayeh, has officially opened at American Repertory Theatre. Read the reviews here!
Performances are underway for The Public Theater’s Free Shakespeare in the Park production of Romeo & Juliet. Learn more about the show and read the reviews here!
See what the critics are saying about Julia May Jonas's A Woman Among Women, now playing Off-Broadway at Lincoln Center Theater. Read the reviews in BroadwayWorld's Review Roundup here.
Reviews are in for GIRL, INTERRUPTED, the world premiere production written by Pulitzer Prize winner Martyna Majok and based on Susanna Kaysen's bestselling memoir, now playing at The Public Theater.
See what the critics are saying about Robert Monatno's Small, now officially open Off-Broadway at The Alice Griffin Jewel Box Theatre at The Pershing Square Signature Center. Read the Review Roundup here!
What did our critic think of DI HATI ADA CINTA at KETEMU DI SENI?
Storm Large is back, and her new cabaret memoir explores what makes a home. Like all of us, she's still working it out, and the show is as raw and funny as her voice is powerful.
Divorced. Beheaded. LIVE! The global musical hit Six is already embarking on its second German tour, and the Queens once again proclaim their Herstory with plenty of pep, power and emotion: fans can look forward to the full SIXperience without compromise.
The hit musical has arrived at the Ordway in Saint Paul through June 28, and from the moment the queens step onstage, the show feels more like a pop concert than a traditional musical. The audience was clapping, laughing, and cheering throughout the performance, and by the end many people were on their feet.
Taking a beloved 90s movie and turning it into a Broadway musical is a tall order. You're competing with nostalgia, a legendary film performance, and the simple fact that what works on a movie screen doesn't always translate to the stage. Tuesday night, the North American tour of Mrs. Doubtfire opened at the BJCC Concert Hall to tackle that challenge, closing out the Broadway in Birmingham season.
Sidney Myer was feted by Marilyn Maye, Charles Busch, Nicolas King and dozens more at a joyous sold-out American Popular Song Society Lifetime Achievement Award gala on June 15.
That belovedly droll English valet of old, Jeeves, has resurfaced to the delight of everyone in the the charming play JEEVES AND WOOSTER IN PERFECT NONSENSE now onstage at The Shaw Festival. After the recent demolition of the Royal George Theatre in Niagara on the Lake Ontario, the Shaw Festival has set up stage yet again in the home if it's birth, the Court House Theatre. The small confines seemed tailor made for the deliciously silly antics of P.G. Wodehouse's most famous characters.
What do Shakespeare, pop music, hip hop dance moves, confetti, and comedy have in common? They are all prominent features in & JULIET! This powerhouse of a jukebox musical has made it to the stage , and audiences are electrified by this production.
As one of Europe’s famous impromptu theaters with regular performances, the Tschauner Bühne is known far beyond the borders of Ottakring. The 2026 season kicks off with a new CEO. Jürgen Partaj takes over from Monika Erb, who is looking back on ten very successful years. Huge steps to fill for the new man in the lead. On stage, the season opens with a Musical Comedy—or is it a Comedy Musical?
XANADU at West Valley Arts is a glittering, campy, neon dream of a show that will have you smiling ear to ear from start to finish. XANADU is rarely produced, and in a world that needs more feel-good escapes, this production is just the ticket.
El mundo era nuestro, un melodrama musical ambientado en la Segunda Guerra Mundial, inicia su rodaje con un reparto encabezado por figuras del teatro musical español y una historia inspirada en hechos reales.
Ginger Ristorante is a distinctive Roman inspired spot situated in the Theater District on 49th Street between 6th and 7th Avenues.
Closing on Sunday, June 21, Artist Playground and Kho-Lab Productions present 'Double Take,' featuring the twin bill, AL.TER by Joaquin Pablo and 'Reverse Card' by Chase Kyle Loza.
El rooftop del Teatro Calderón acogerá Midsummer Fest, una adaptación contemporánea inspirada en El sueño de una noche de verano que combina comedia, música y fantasía bajo el cielo de Madrid.
Jonny Hawkins (writer and performer) and Nell Ranney’s (director) TRUCK DRIVER is an incredible new Australian work that centres on the men that keep Australia moving, the owner-drivers of freight trucks.
I truly enjoyed Water for Elephants far more than I thought I would. I came to the theater fearing the puppetry of the elephant would over shadow the actors. While it was spectacular, it did not over shadow the actors and for that I am grateful. And in an effort of full disclosure, admittedly, I also really hate the circus. No need to judge, just offering a little vulnerability here. Still, in spite of that I enjoyed the performance a great deal.
The women’s suffrage movement in the United States spanned 72 years, finally concluding in 1920 when women gained the right to vote. Thousands of women lended their lives to the cause with a hope for the future, that subsequent generations would be inspired by the suffragists. Yet, their names were consistently left out of history books. Until Shaina Taub’s Suffs. Suffs at The National Theatre revives the legacy of luminaries like Alice Paul and Ida B. Wells through a musical journey that cements the suffragists’ rightful place in history.
Every aspect of 10 Days in a Madhouse, directed by Joanna Settle, exemplified why opera has the power to bring stories to life in ways that no other genre can. Score, libretto, set, costumes, lighting, and vocal and orchestral performances of the highest quality mingled into something that was more than the sum of its parts, rendering a haunting true story with more nuance and pathos than theatre, film, or literature alone could have achieved.
Austin Playhouse’s Seared, directed by Lara Toner Haddock, serves up a grounded, well-paced production with strong ensemble work and a working kitchen that adds real texture. The staging feels alive, even when Theresa Rebeck’s script leans preachy and predictable.
The crowd itself remains unseen, but a growing cult hangs over nearly every scene, transforming Emery’s private sanctuary into something far more complicated. Michael Zimmerman's sound design gives the invisible crowd a character of its own, a foreboding entity lurking just behind the treeline. The production's real challenge lies in sustaining the sense of a growing
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