Review: LET THE GOOD TIMES ROLL: A NEW ORLEANS GUMBO at The Phoenix Theatre Company
LET THE GOOD TIMES ROLL is a vibrant, music-soaked love letter to a city that lives and breathes rhythm even in the face of heartbreak and hardship.
The latest reviews and critic recommendations from Phoenix.
LET THE GOOD TIMES ROLL is a vibrant, music-soaked love letter to a city that lives and breathes rhythm even in the face of heartbreak and hardship.
Of course, off-color references are only gratuitous when taken out of context.
In an age of displacement, inherited trauma, and cultural fragmentation, two short films –WEAVING and SPRING BREEZE, TAIWAN – directed by Taiwanese American filmmaker Hsuan Yu Pan, offer deeply resonant reflections on how art can restore identity, rebuild community, and help us remember who we a
There's an unwritten rule in theatre that if the actors have fun the audience will have fun.
For all its clashing parts, like an overstuffed jewelry box where diamonds, pearls, and plastic trinkets jangle together, MOULIN ROUGE! THE MUSICAL’s visuals are hard to resist, and that’s what most audiences will respond to.
Ranked, A Musical is a unique piece of theatre.
Deeply moving and riveting, TETHER offers a rare cinematic glimpse into a kind of moral injury: not simply mourning the dead, but confronting the unbearable weight of surviving them.
Read BroadwayWorld's review for SHREK THE MUSICAL at Saguaro City Music Theatre.
A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL is an incredible true story musical with toe-tapping music and a big heart.
In Arizona Broadway Theatre’s production of CINDERELLA, audiences of all ages will find the magic they came for…and in that space, a story once deemed simple becomes something richer.
Lea Pascal's THE GREATEST JOY is a short film with a long emotional echo.
This production runs through June 22.
BACK TO THE WEST, now playing at The Gaslight Theatre, is a rollicking new show stuffed with laughs and charm.
Theatre Artists Studio's perennial showcase of original 10-minute plays presents an impressive range of voices and tones, from sharply comic to deeply affecting.
Fairy tales have always promised us that once the dragon is slain and the prince is kissed, the story ends in blissful finality.
MAMMA MIA at Broadway in Tucson is an energetic crowdpleaser! I spent my childhood listening to the music of ABBA and watching various iterations of MAMMA MIA.
Despite earnest efforts and glimpses of talent, this production of Shelagh Stephenson's THE MEMORY OF WATER failed to honor the quiet depth of the playwright's work.
Despite some flaws, this LITTLE SHOP, directed by Ron May, is a wild, weird, dark ride.
Beneath the jokes and sharp-edged dialogue is a rumination on labor, grief, and human connection in unlikely places.
At the heart of THE MINUTES lies the bitter debate over the town's origin—a controversy surrounding a long-commemorated event that reveals uncomfortable contradictions under closer scrutiny.
FORBIDDEN BROADWAY: THE NEXT GENERATION isn’t just a parody—it’s a full-on roast of the Great White Way, served up hot and fast with a piano and four performers who can belt, mug, and mimic with razor precision.
Arizona Theatre Company has staged a heartfelt and finely wrought production—a love story that resists sentimentality and embraces sincerity.
BEACH BLANKET BEE BOP is now playing at The Gaslight Theatre! Written by Peter VanSlyke and adapted/directed by Katherine Byrnes and Mike Yarema, this is a side-splitting and toe-tapping musical parody.
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