COSI FAN TUTTE to Open Opera San José's Season in September
by Chloe Rabinowitz
- Aug 6, 2025
Opera San José will kick off its 42nd season with Mozart’s beloved romantic comedy Così Fan Tutte, a sparkling blend of charm and wit that plays out like an 18th-century reality show—“Temptation Island” meets powdered wigs. Learn more!
Photos: ALL THE WORLD'S A STAGE At Keen Company
by A.A. Cristi
- Apr 2, 2025
KEEN COMPANY is now presenting the world-premiere of All the World’s Stage, the new musical by Adam Gwon, which will begin performances on March 25, 2025 at Theatre Five in Theatre Row.
STIFFELIO Will Open at Sarasota Opera
by Stephi Wild
- Mar 11, 2025
Last seen in Sarasota in 2005, Verdi's opera about infidelity and forgiveness, Stiffelio, will open this month. Written just before Rigoletto, this long-neglected, emotionally charged work is now recognized as an important opera by Verdi.
THE FOREIGNER Announced At The George Theater
by A.A. Cristi
- Jan 10, 2025
The George Theater is bringing The Foreigner to the stage for the very first time. This uproarious comedy is one of the funniest shows to ever hit the American stage.
Sarasota Opera Reveals Casting for Winter Opera Festival
by Stephi Wild
- Aug 20, 2024
Casting has been announced for Sarasota Opera’s 2025 Winter Opera Festival. The season will open on Saturday, February 15, and will feature Pietro Mascagni’s Cavalleria rusticana and Ruggero Leoncavallo’s Pagliacci, Gioachino Rossini’s The Barber of Seville, Wolfgang Amadeus Mozart’s The Marriage of Figaro, and Giuseppe Verdi's Stiffelio.
Review: PAGLIACCI at McCaw Hall
by Erica Miner
- Aug 12, 2024
The term has become familiar and beloved to opera lovers since the late 19th century. Seattle Opera offered Ruggero Leoncavallo’s Pagliacci, one of the most performed works of this genre, as its opening production of the 2024-25 season.
PAGLIACCI Comes to Seattle Opera in August
by Stephi Wild
- Jun 21, 2024
Seattle Opera will open its 2024/25 season with the “clown prince” of Italian verismo, Pagliacci. Ruggero Leoncavallo’s gritty tale of jealousy and unbridled rage holds a mirror up to a violent society, and features one of opera’s most iconic arias, the tenor’s “Vesti la giubba.”
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