Fresh off a sold out appearances at historical gay venues, The Duplex and Don't Tell Mama, New York City-based cabaret singer/actor Zoë Van Tieghem kicks off Pride month with her Birdland debut. Van Tieghem, accompanied by Matt Baker on piano, Paul Goldfinger on bass and Adam Ray on drums, brings her unique flair to the cabaret genre.
MAC nominee and Broadway World Award Winner, Becca Kidwell adds an additional performance of her highly praised show, TOGETHER INSIDE, on Friday, June 10th at 7pm at Don't Tell Mama in addition to her performance on Sunday, May 22nd at 4pm.
Four years ago, a novice - today, one of the most productive members of the cabaret community, Becca Kidwell is ready to premiere her new show - only months after opening her last one.
MAC Award Nominee and Broadway World Cabaret Award Winner, Becca Kidwell shares her experiences as an introvert during lockdown and post-lockdown in her new show, “Together Inside,” on April 30th & May 22nd at 4pm to Don't Tell Mama. Becca brings her struggles and joys to life with the assistance of music director, Matt Baker, and her director, Jeff Harnar.
Singer/Songwriter/Pianist Jacob Khalil made his Birdland Theater debut on Sunday March 20th, 2022 with his show “Most Requested”.
The show was a clever set list mixing styles & genres from the American Songbook, Jazz, Pop, and several outstanding original songs penned by Khalil.
The Duplex presents Zoë Van Tieghem's debut of her new Cabaret, “Love and Stuff.” Van Tieghem will croon a curated playlist of cabaret standards, classic rock, and musical theatre. Lesbian femme fatale Van Tieghem will take you on a darkly comedic journey of love with a mix of cabaret standards and rock classics by artists such as Billy Joel that, “Only a lesbian would sing.”
Richmond Theatre have today, 8 March, announced that their annual pantomime, Goldilocks and the Three Bears, will star TV-favourite Matt Baker. Matt will star as Joey the Clown, reprising the role he originated in the critically acclaimed 2019 London Palladium production.
On Monday, Australian jazz pianist Matt Baker returned to Birdland with a new version of his project A RHAPSODY OF GERSHWIN. The project is very much in the spirit of Gershwin’s own mix of jazz and classical styles. Using Gershwin’s original compositions as a launching board, he created inventive variations with his 5 piece band. There was a great deal of virtuosity on display. Gershwin’s work lends itself to such displays of bravura. The material is so rich it can’t help but yield fruitful improvisations. Matt Baker’s ensemble definitely rose to the challenge. The joy of the evening was the addition of Grammy-nominated singer Nicole Zuraitis. Ms. Zuraitis has a supple voice that is both warm and delicate. In addition to providing the lyrics, she also had many numbers in which she was treated as another instrument in the band, providing haunting vocalises.
You can’t say Jim Caruso’s Cast Party hasn’t had staying power! Every Monday night for the past eighteen years, musical talent has been celebrated on the Birdland stage. Superstars, up-and-comers, Broadway legends, jazzers and cabaret divas have all been in the spotlight and taken a turn at the grand piano.
Over the past two months, Jim Caruso’s Cast Party has been packing Birdland with throngs of music and theater lovers eager to cheer the return of the show biz scene. Fans of Broadway, jazz, country, and the Great American Songbook have been delighted by the impromptu talent that has consistently shown up to entertain.
When his colleague and friend, Matt Baker, took a break from the piano to pick up a camera, Jim Caruso got inspired to take a break from the microphone and pick up a typewriter.
There were dazzling musical performances by Peter Cincotti, Victoria Shaw, Ruby Locknar, Azusa Sheshe Dance, Matt Baker, Ava Locknar, Artemesia LeFay, Nicole Zuraitis, Hailey Brinnel & Joe Plowman, Callie Holley, Quentin Harris & Bryce Edwards and Lowell Oakley, among many others.
The musical, magical Cast Party, hosted by Jim Caruso, continues at Birdland! After running full-steam for eighteen years, you’d think the energy would have faded a bit. But you’d be wrong!