Review: THE MAIDS, Donmar Warehouse
by Cheryl Markosky
- Oct 22, 2025
An exhilarating new satire on social media, class and how we live in unreal worlds bursts onto the Donmar stage in a frenzy of must-see vigour. Writer/director Kip Williams – who made his West End debut with Olivier and Tony award-winning The Picture of Dorian Gray, starring Succession's Sarah Snook – returns with his bang up-to-date adaptation of Jean Genet's play based on sisters Christine and Lea Papin, who murdered their employer and her daughter in 1933.
EDINBURGH 2025: Simon Kane Guest Blog
by Natalie O'Donoghue
- Jul 28, 2025
Inspired by the Book of Jonah – and probably God – award-winning shunt veteran, Mitchell and Webb writer, John Finnemore's Souvenir Programmer (and Keith Darren Dean in Ghosts), Simon Kane, regurgitates his highly acclaimed, horrifyingly evergreen divine comedy about the extremist in us all.
Critics' Choice: Cheryl Markosky's Best Shows of 2024
by Cheryl Markosky
- Dec 12, 2024
Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.
The Criterion Mobile Closet Sets Brooklyn as Next Stop
by Josh Sharpe
- Oct 8, 2024
In celebration of their 40th anniversary, Criterion will continue traveling the Criterion Closet Picks show to Brooklyn Bridge Park on Saturday, October 26 and Sunday, October 27 from 10am-6pm daily, in partnership with St. Ann’s Warehouse, where Criterion will also screen the best of its 15 years of Closet Picks.
Review Roundup: Did Mark Rylance and J. Smith-Cameron Impress in JUNO AND THE PAYCOCK?
by Aliya Al-Hassan
- Oct 7, 2024
Tony award-nominee J. Smith-Cameron stars as Juno Boyle opposite Mark Rylance as ‘Captain’ Jack Boyle in a highly anticipated new production of Juno and the Paycock, Seán O’Casey's timeless masterpiece, directed by Tony and Olivier award-winner Matthew Warchus. So what did the critics think? Read the reviews.
Review: JUNO AND THE PAYCOCK, Gielgud Theatre
by Aliya Al-Hassan
- Oct 7, 2024
A cost of living crisis, people being fit to work but choosing not to, poverty, nationalism and women's control of their own bodies. Seán O'Casey's Juno and the Paycock may have first been performed at the Abbey Theatre in Dublin in 1924, but a century later, his tragicomedy resonates more strongly than ever.
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