American Conservatory Theater (A.C.T.) will present a filmed reading of Alice Childress's brilliant comedy/drama Trouble in Mind now through Sunday, April 4, 2021. Directed by Awoye Timpo, Trouble in Mind is part of the A.C.T. Out Loud series, which features a series of enduring play readings by some of the greatest minds of generations past.
Capital Stage offers its fourth Virtual Performances production with SMART PEOPLE by Lydia R. Diamond. This docu-dramedy that follows four of Harvard's brightest as they search for love, success, and identity, first premiered at the Huntington Theatre in Boston in 2014.
Aurora Theatre Company will present an audio adaptation of Toni Morrison's THE BLUEST EYE, adapted by Lydia R. Diamond, directed by Dawn Monique Williams.
Court Theatre has announced further revisions to its 2020/21 Season. The newly-revised season has Court postponing its production of August Wilson’s Two Trains Running and pushing back dates of Owen McCafferty’s Titanic (Scenes from the British Wreck Commissioner's Inquiry, 1912) and Shakespeare’s Othello.
Aurora Theatre Company will continue its 29th season with Toni Morrison’s THE BLUEST EYE, adapted by Lydia R. Diamond. Associate Artistic Director Dawn Monique Williams (Bull In A China Shop) directs this poignant drama about Black girlhood, the poisonous effects of racism, and the heartbreak of shame.
Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma have announced changes to the company’s 2020/21 Season, to include additional digital programming and updates to previously announced productions.
Christine Jones (Creator and Artistic Director of Theatre For One), Jenny Koons (Co-Artistic Director for Here We Are), and Mara Isaacs (Producer) announced today that Theatre for One: Here We Are is adding seven performances to accommodate overwhelming ticket demand with the final performance now scheduled for Thursday, October 29.
Synchronicity Theatre's 2020-2021 Season, opening October 5, 2020, will feature hybrid 'In the Theatre' and 'On the Screen' formats to reach more audiences and provide socially-distanced opportunities to view smart, gutsy, bold theatre whenever possible.