What would you do if the results of your 20-week pregnancy scan were not what you were expecting? Would you continue with the pregnancy and adapt to the serious additional needs your baby is likely to have, or could you take the decision to have a termination? That is the choice facing Rosie Sheehy and Robert Aramayo’s characters in Guess How Much I Love You?, the current production in the Jerwood Theatre Downstairs.
Full cast and creative team have been announced for the world-premiere of Guess How Much I Love You? by Luke Norris, the first production in the Royal Court Theatre's 70th Anniversary Season.
Academy Award winner Tilda Swinton will return to the stage for the first time in more than three decades, reprising her 1988 performance in Manfred Karge’s Man to Man in London, ahead of a run in New York.
The announcement details an entire year of programming for 2026, with 12 productions across the venue's two historic stages, alongside new national projects and partnerships to drive investment and ambition for the next decade of new writing in the UK.
It's a bold move for the Royal Shakespeare Company to slip in a remake of W Somerset Maugham's 1920s lesser-known comedy about infidelity in amongst more serious offerings like King Lear and Timon of Athens.
See what the critics are saying about The Constant Wife at the Royal Shakespeare Company starring Rose Leslie! Read the reviews for the production here.
Sam Mendes' The Motive and the Cue, which ran at The National Theatre and then in the West End, is hoping to transfer to 'a Shubert theater this spring,' says Baz Bamigboye for Deadline.
All new photos have been released from opening night of the National Theatre and Neal Street Productions' The Motive and the Cue at the Noel Coward Theatre, as well as the post-show party at The Crypt, St-Martins-in-the-Fields.
Rehearsal images have been released for the National Theatre and Neal Street Productions critically acclaimed West End transfer, The Motive and the Cue. See the photos below.
Rehearsal photos have been released for the National Theatre and Neal Street Productions critically acclaimed West End transfer, The Motive and the Cue. Check out the photos here!
The cast has been announced for the West End transfer of The Motive and the Cue. Find out who is starring int he show and check out an all new trailer here!
Rose Bruford College student Harry Simkins is one of the winners of the 2023 Lilian Baylis Award. Presented at the Old Vic on Thursday 1st June by actor Luke Norris.
Sam Mendes' The Motive and the Cue is now playing at the National Theatre. Baz Bamigboye has revealed that the production is hoping to transfer to the West End and then Broadway.
Rehearsal images for The Motive and the Cue have been released. The show is directed by Sam Mendes and features a cast that includes Johnny Flynn, Mark Gatiss, Tuppence Middleton and Janie Dee.
The National Theatre has announced three new productions for 2023 and the revival of the critically acclaimed The Father and the Assassin. A new production devised by The PappyShow will tour directly to 55 schools across England, and National Theatre Live brings The Crucible, Othello and GOOD to cinema goers around the world.
A weekend getaway to Croatia goes awry when a woman is accused of killing her best friend and her efforts to get to the truth uncover a painful secret. Based on The Weekend Away by Sarah Alderson, the cast features Leighton Meester as 'Beth', Christina Wolfe as 'Kate', Ziad Bakri as 'Zain', and Luke Norris as 'Rob'.
Netflix has released first look photos as The Weekend Away. A weekend getaway to Croatia goes awry when a woman (Leighton Meester) is accused of killing her best friend (Christina Wolfe) and her efforts to get to the truth uncover a painful secret. The cast also includes Ziad Bakri as 'Zain' and Luke Norris as 'Rob'.
A fire is ignited as the ensemble gather silently in an act of remembrance. It then ascends high above the Olivier stage, where it continues to burn for the duration of the play. It conjures a feeling of warmth, comfort, and community, echoed by the in-the-round configuration of the extensive auditorium that somehow soon feels intimate.