Elliott Smith News

A one-off release, the enigmatic Belfast songsmith is back with a new single that finds him stripping back the sonics, to craft something of an unadorned and unassuming beauty. Pared back of arrangement and unspoiled by overproduction, “Love Hz” lets Southern’s lyrics do the talking on this carefully crafted lo-fi release.

Hello Mary was produced by Bryce Goggin (Pavement / Luna) and references alternative rock of the nineties alongside Elliott Smith and Jeff Buckley as influences. But the trio’s contemporaries are bands suchs as Palberta, Spirit of the Beehive, and Palehound, artists who don’t shy from unusual time signatures, careening feedback, and harmonies.

Tying together a lifelong love of Brian Wilson and Elliott Smith, an affection for aughts indie units like Grizzly Bear and Bon Iver, and years of experience as a horn player, improviser, and arranger, Sifting Through The Goo, Reaching For The Candlelight is a sonic stew of finger-picked guitar, shimmering synths, vocal harmony and bold brass.

Hello Mary - which was produced by Bryce Goggin (Pavement /Luna) - references alternative rock of the nineties alongside Elliott Smith and Jeff Buckley as influences, heard most vividly on the album’s simmering closer “Burn it Out,” but their contemporaries are bands like Palberta, Spirit of the Beehive, and Palehound.

Fullam has had a passion for music his whole life. From the age of nine, Elliott has been the host of Little Punk People, a music interview show that boasts 93 thousand subscribers on YouTube in which he’s chatted with the likes of James Hetfield of Metallica (viewed 1.7 million times), J Mascis, Ice-T, Jay Weinberg of Slipknot and many more.

How It Ends followed a string of standout 2021 releases including the Jockeys of Love EP, and “Beach Coma,” a Gabe Wax-produced single. The duo, who also work with Jay Som’s Melina Duterte on production and recording work, mixed the track alongside Brandon Shoop, while Grammy-nominated Joe Lambert mastered.

Tying together a lifelong love of Brian Wilson and Elliott Smith, an affection for aughts indie units like Grizzly Bear and Bon Iver, and years of experience as a horn player, improviser, and arranger, Sifting Through The Goo, Reaching For The Candlelight is a rich sonic stew of finger-picked guitar, shimmering synths, dense vocal harmony.

Featuring classic Shoegaze fused with elements of dream-pop, chillwave, and vintage synthy soundscapes complimented by bits of experimental quirk, the inviting set features prior singles 'Take Me Up Again,' and the reverb-drenched 'Dream State (I'm Vanishing)' alongside tracks that expand the album’s emotional palette.

The result is a record that begs and rewards repeated listenings, 9 songs and 41 minutes including a reimagined song from his band The Life and Times. It’s a rich production that echoes the AM Gold of his childhood but reaches into artistic territories that were generally reserved for Elliott Smith and Sea Change-era Beck. Watch the new video now!

“Afterglow” single from first Pacifico album in five years features Adele, Seal, The Kooks bassist Peter Randall; See Terry Gilliam-inspired video now. Band’s Matthew Schwartz explains Elliott Smith-evoking tune is “about someone losing their sight later in life and coming to terms with that change.”

2022 has seen Blondshell (Sabrina Teitelbaum) capture the ears and attention of music critics and fans alike with the release of four singles and her incredibly captivating shows in Los Angeles, London and across the U.S. as the support for Porridge Radio. She will be closing out the year with a sold-out headline show.

He traces the origin of his passion for music back to playing the drums in front of the TV at three-years-old. Eventually, he found his dad’s guitar. He embraced inspirations as diverse as Alice Coltrane, Tom Petty & The Heartbreakers and Elliott Smith as well as renown filmmaker David Lynch.

Coming on the heels of 2021's well-received single 'Salt Flats', Griffin is settling into a more organic songwriting approach, finding a groove in his new hometown of Nashville, Tennessee. Racking up 40,000+ streams on Spotify, 'Salt Flats' was added to the Indigo, New Music Nashville and Emerging Americana playlists.

The trio Helena Straight (guitar, vox), Mikaela Oppenheimer (bass), and Stella Wave (drums, vox) - release a new single “Spiral,” taken from their forthcoming self-titled debut album. The track and its accompanying video premiered earlier.

The run of shows will include two special Kill Rock Stars-curated nights in Portland and Seattle. The tour’s Vancouver date will also feature Mi’ens, a Kill Rock Stars pick, and Fhang, a project that features TEKE::TEKE bassist Mishka Stein and the band’s longtime collaborator and friend, Sam Woywitka.

Blondshell has herself on the map this year with the release of three critically acclaimed singles: her debut “Olympus,” “Kiss City,” and this summer’s “Sepsis,” which Rolling Stone listed as their #1 Pick of the Month for their “Recommends” column as they called it a “phenomenally catchy alt-rock blast from her hotly buzzed upcoming debut LP.”

Allen Epley (Shiner, The Life and Times) spent more hours than his friends on the block did imprinting his parents' record collection on his psyche. He would pore over the cover art and liner notes and enter the world wrought by the giants of AM Gold — Bread, James Taylor, Carol King, Three Dog Night, Blood Sweat and Tears, 5th Dimension.

Sacramento’s Best Move share a new live video for “Every Actor” off of their debut album, Relational Memory via Park The Van. The video is an absolutely gorgeous offering, where stripped back instrumentation provides a foundation for Kris Anaya's delicate & emotionally tinged vocals to shine. Watch the new video performance now!

Mallbangs shares the final single from their upcoming EP Checking For Daggers, “Make Believe.' Following prior singles “New Face” and “You Can Have It All,” “Make Believe” carries a markedly more positive disposition. Mallbangs’ mastermind Aidy (they/them) delivers a sunny, buoyant song about questioning one's gender identity.

The soundtrack was composed by developer and game designer Tim Sheinman (Rivals, Family) with lyrics co-written by Natalia Yanchak (The Dears). Riley & Rochelle tells the story of two musicians from different sides of the tracks as they find their voices, ascend into superstardom, fall in love, and fall apart.