The first track is the bittersweet “Orphan Child”, a song that channels the gritty charm of ’60s pop as it reconciles with the pervasive sense of lostness that comes from simply being alive these days and also reflects on Ivey’s own personal experience being raised by foster parents. Watch the new music video! Plus, check out upcoming tour dates.
Following two upbeat bangers, “Eat&Drink&Smoke&Shop&f**k” and “Rich And Beautiful,” as well as the empowering anthem “Here’s To Us,” today’s track appropriately pays homage to the classic energy of Smith’s original, while also giving it a fresh and edgy spin. Watch the new animated lyric video for the track now!
The compilation features Alex Lahey, Black Belt Eagle Scout, C Duncan, Cassandra Jenkins, Cults, Girl Ray, Hatchie, James Yorkston, Kevin Drew, Nation of Language, NZCA Lines, Oceantor, Ora the Molecule, Peter, Bjorn and John, Piroshka, Sondre Lerche, Strand of Oaks, and Water From Your Eyes.
Snail Mail (Lindsey Jordan) made her late-night television debut on Friday with an appearance on The Late Show With Stephen Colbert. She performed “Valentine,” the title track off her critically acclaimed new album which was released via Matador on the same day. Plus, check out new tour dates now!
Nine years later and the trio is back with another collaboration for the books! While they've been actively pursuing fruitful solo careers in the meantime, the duo have not collaborated on a single since 'In the Corner' off of Dylan's 'Keep Your Friends Close' EP.
Purple Witch of Culver's fifth single, 'Seven of Wands', includes synthesizers, drum machines, and tape effects in the closet, opting for a more organic classic indie singer-songwriter approach, reminiscent of Elliott Smith and Aimee Mann.
Passim has created a new way to support emerging artists. Established in 2021, the Eastern Front Songwriter Grant will be given out annually by Passim to an emerging singer/songwriter to help finance a professional recording project. The first recipient of the grant will be songwriter Gabriella Simpkins.
Singer-songwriter Andrew Krull has deep ties to Chicago’s indie and country scenes. Their understated vocal style, intricate instrumentation, and introspective lyrics highlight influences ranging from Elliott Smith and Nick Drake to Pinegrove and classic country artists.
He shared 'Burning the Ground', a smoldering slice of jangle pop, written after a hike in the Pacific Northwest, it reflects on the fires that ravaged California, overwhelmed at the thought that one day they might all be gone.
The Decades EP covers a lot of musical ground, from Fats Domino’s “Ain’t That A Shame” (1955) and Jackson C. Frank’s “Blues Run the Game” (1965) to Neil Young’s “Old Man” (1972), Kath Bloom’s “Come Here” (1984) and Elliott’s Smith’s “Ballad of Big Nothing” (1997).
Disturbios churned this haunting mood piece through all the galvanic dreaminess of their ‘60s surf-lounge echo box afforded to them at their legendary NY HED Studio (Elliott Smith, Jon Spencer Blues Explosion, Suicide’s Alan Vega, The Ronettes’ Ronnie Spector, etc).
The duo’s debut album is an electroshock fever dream — a marriage of blissed out, raunchy, and angular vintage rock & roll aesthetics with the pitiless tyranny of robotics gone wrong.
'Alone' was engineered by Pete Min and mixed by Dylan Alldredge, and features performances by Aaron Stern (bass), Ben Lumsdaine (percussion), and Juan Solorzano (guitar).
The EP features five cover songs, one per decade from the 1950s-1990s. Mara already shared the EP's 1950s cut, a Twin Peaks-inspired cover of 'Ain't That a Shame,' back in February on Fats Domino's birthday (which Flood Magazine called “brilliant” and praised for its dark twist on the original).
What if longtime friends Jim Brunberg and Ben Landsverk came clean about the fact that their bevy of instrumental theme songs and film soundtracks—including the New York Times' famed podcast The Daily, Cheryl Strayed's Dear Sugar Radio, and many indie film scores—were only half of the story? Well, there's no need to get rhetorical, because the day has come for Brunberg and Landsverk, known collectively as the Portland-based duo Wonderly, to share their other side with the world.
What if longtime friends Jim Brunberg and Ben Landsverk came clean about the fact that their bevy of instrumental theme songs and film soundtracks-including the New York Times' famed podcast The Daily, Cheryl Strayed's Dear Sugar Radio, and many indie film scores-were only half of the story?