Taylor Hicks

Discover the heartfelt music of newcomer Charlotte Morris as she takes listeners on a journey through love and loss with her latest album, 'WILD CHILD.' Pre-order now and experience the emotional depth of Morris' powerful storytelling and exquisite voice. Available on September 29.

Charlotte Morris' has released a new single 'Your Number One'. The song, from her upcoming fall album, is based on personal experience. Morris reflects, 'There were amazing times, but there was also a lot of pain. Talk about workin' through it ... it was tough, but I feel like I grew stronger from that heartbreak - and I got a good song out of it.'

Hospitalized Veterans in all Veterans Affairs facilities nationwide will have the opportunity to feel the deep appreciation they deserve through the healing power of music. Musicians On Call, a nonprofit that brings live and recorded music to the bedsides of patients, families and caregivers in healthcare environments.

The world premiere of May We All: A New Country Musical will play through July 17, 2022 at the Tennessee Performing Arts Center in Nashville, TN. The company of May We All features Bligh Voth, Brandon J. Ellis, Patsy Detroit, Ryan Link, Matt Manuel, Lauren 'LOLO' Pritchard and Heidi Blickenstaff. Check out photos from opening night!

Mark your calendar as MAY WE ALL: A NEW COUNTRY MUSICAL Producer Brian Kelley will take the stage during opening night of the show on June 15, as he steps into the rotating role of “Bailey Stone”. A second round of guest artists has also been revealed today (5/18) including Kaylee Rose, Michael Ray, Taylor Hicks, and Twinnie.

Maggie Rose has shared her cover of Carole King’s hit “I Feel the Earth Move” which premiered earlier this week exclusively on SiriusXM during Maggie’s takeover on the Rock & Roll Hall of Fame station which was recorded on-site in Cleveland. Listen to the new single now! Plus, check out her upcoming tour dates!

Singer/songwriter Brian Mackey has announced his forthcoming LP, Good Morning Ireland, with the release of a new single, “My Only Friend.” The track also features Jeff King's wife, Tammy King, a singer/songwriter and fiddler (Steeldrivers, Chris Stapleton), along with his daughter Delana King, who added her harmonies. 

VAN DYKE was looking for collaborators when an email from lyricist and playwright Jeff Talbott appeared in his inbox. Like Elton John finding Bernie Taupin at the right moment, these two paths crossing would launch a strong and lasting songwriting partnership that culminates in today’s release of VAN DYKE’s debut solo EP, THE MAYOR.

In the latest episode of THE BROADWAY GINGER PODCAST, host Sally Fuller continues her conversation with special guest Craig A. Meyer to revisit some of the best performances he saw during his 20 years as a Tony Awards voter.

How did a '90s movie musical flop make a larger-than-life comeback when it premiered on stage 20 years later? THE BROADWAY GINGER PODCAST host Sally Fuller and guest host Ashley Elliott are answering that very question.

Last week, Sally and Ashley concluded their first season with a deep dive into CAMELOT, and now they are kicking off a mini series of bonus episodes in advance of January’s Season 2 launch. Beginning with “How to be a Classy Fangirl,” today’s episode breaks their usual mold of focusing on a single musical and instead sees the hosts sharing stories from their stage door experiences.

The American Musical Theatre was built on great songwriters whose names can't be said without their partners'. OKLAHOMA!, THE SOUND OF MUSIC, and CINDERELLA might as well be credited to one hyphenated name, Rodgers-and-Hammerstein. Today, they take a look at some equally inseparable duos with an emphasis on Lerner & Loewe and their masterpiece, CAMELOT.

How many exclamation points is too many? On Monday's episode of THE BROADWAY GINGER PODCAST, hosts Sally and Ashley explore the answer through the eyes of Lionel Bart, composer and lyricist of OLIVER!

The Pulitzer Prize for Drama almost always goes to a critically-acclaimed straight play by someone really serious like Eugene O’Neill or August Wilson, but on rare occasions, it goes to a musical. Only ten musicals have ever won.

There are few better moments for theatre people than discovering our favorite songwriting team has written more than just that one hit show we love (looking at you, Lin-Manuel Miranda). In Monday's episode, Sally and Ashley discuss when they have experienced such moments with Lin himself, Andrew Lippa, and Tom Jones/Harvey Schmidt of THE FANTASTICKS.

Musical theatre has a history of big, splashy, high-kicking casts, and that’s what many people think when they hear the word “musical.” The increasing trend for writers wanting to tell a poignant, dramatic story (and producers wanting to pay fewer actors) is to use a tiny cast of six or fewer to narrow the focus without getting distracted by glitter.

Due to overexposure to wildly overdone musicals in community theatres (looking at you, SEUSSICAL), Sally and Ashley now have the Community Theatre Formula down to a jazz-handed science.

The only thing more exciting than a Disney movie is a Disney Broadway musical. While the House of Mouse gave the people what they wanted via Broadway mounts of BEAUTY AND THE BEAST, THE LION KING, FROZEN, etc., did you know there are Disney shows that have played regional theatres around the world and still haven't made it to Broadway?

In the third episode of THE BROADWAY GINGER PODCAST, host Sally Henry Fuller and co-host Ashley Elliott discuss the miles they have traveled to see some favorite musicals (and the times their parents have fought ushers for programs).

In the debut episode, we discover that Sally fell in LOVE with THE SCARLET PIMPERNEL as a child, and Ashley went full homeschooler on her THE PHANTOM OF THE OPERA obsession by reading the book first. After making a case for why LES MIS=ALADDIN, they take a deep dive into LES MISERABLES with a constructive dump on the 2012 movie.