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Jon Kalbfleisch enjoys a multi-faceted musical life as a conductor, pianist, award-winning music director, freelance musician and organist. Having conducted ballet, opera, symphonic music, choral works, contemporary music and Broadway musicals, he has an interest in a wide range of musical styles. In Oklahoma, after five years as its music director and conductor, he has guided the Lawton Philharmonic Orchestra to newfound heights both in terms of artistic success and community outreach. Symphony magazine recently highlighted the LPO’s Art Inspired by Music project; local students inspired by the music of Beethoven created some 4,000 original artworks. Previously, Jon was guest conductor for the Fairfax Symphony Orchestra Pops at the Shenandoah Valley Music Festival, and he conducted the Oklahoma Summer Arts Institute Orchestra at Quartz Mountain. Maestro Kalbfleisch also conducted the Louise D. McMahon International Piano Competition held at Cameron University, and the Bradetich International Double Bass Competition at the University of North Texas. Jon received a Bachelor of Music in Piano Performance from Cameron University, and a Master of Music in Orchestral Conducting from Southern Methodist University in Dallas. While in Dallas as a student of Anshel Brusilow, Jon was Assistant Conductor of the SMU Symphony and Music Director of the Perspective Chamber Ensemble, pianist for the Dallas Ballet, and accompanist for the Dallas Opera.
Since relocating to the Washington DC area, Jon has been a 21-time nominee and five-time recipient of the Helen Hayes Award for Outstanding Musical Direction. As resident music director of the Tony Award-winning Signature Theatre, he has conducted over 1000 performances of some thirty musicals including Sweeney Todd, Follies, A Little Night Music and 110 in the Shade. Nationally, Kalbfleisch was Associate Conductor for the touring company of Les Miserables, which included a stop on Broadway. He was Music Director for Putting it Together at the Mark Taper Forum in Los Angeles. On television, Jon has appeared conducting for Alan Jackson on Good Morning America. He can be heard on the 2009 Grammy-nominated recording of Bernstein’s Mass playing piano with the Baltimore Symphony Orchestra. He has also played and/ or conducted at Carnegie Hall, The White House, Wolf Trap (with the National Symphony Orchestra), The National Theatre, The Warner Theatre, The Smithsonian Institution, and The U.S. Supreme Court. As an accompanist, Jon has had the great pleasure of playing with artists such as David Kim, Frederica von Stade and Lynn Harrell.
Jon KalbfleischSunday in the Park With George
Jon KalbfleischGypsy
Jon KalbfleischDreamgirls
Jon KalbfleischHairspray
Jon KalbfleischSunset Boulevard
Jon KalbfleischLes Misérables
Jon KalbfleischMerrily We Roll Along
Jon KalbfleischThe Witches of Eastwick
Jon KalbfleischAssassins
Jon KalbfleischCaroline, or Change
Jon KalbfleischThe Highest Yellow
Jon KalbfleischAllegro
Jon KalbfleischElegies, A Song Cycle
Jon KalbfleischFollies
Jon Kalbfleisch11 In the Shade
Jon KalbfleischGrand Hotel
Jon KalbfleischPutting It Together
Jon KalbfleischSweeny Todd
Jon KalbfleischThe Fix
Jon KalbfleischA Little Night Music
Jon KalbfleischSunday in the Park With George
Jon KalbfleischCabaret
Outstanding Musical Direction, HAYES Production (Helen Hayes Awards) for Sunday in the Park With George , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Gypsy , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Dreamgirls , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Hairspray , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Sunset Boulevard , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Les Misérables , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Merrily We Roll Along , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for The Witches of Eastwick , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Assassins , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Caroline, or Change , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for The Highest Yellow , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Allegro , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Elegies, A Song Cycle , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Follies , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for 110 In the Shade , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Grand Hotel , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Putting It Together , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Sweeny Todd , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for The Fix , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for A Little Night Music Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Sunday in the Park With George and Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Cabaret .
Outstanding Musical Direction, HAYES Production (Helen Hayes Awards) for Sunday in the Park With George, Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Gypsy, Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Hairspray , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Les Misérables , Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Merrily We Roll Along, Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for The Highest Yellow Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Grand Hotel and Outstanding Musical Direction, Resident Production (Helen Hayes Awards) for Sunday in the Park With George.
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