March 2, 2020
A few weeks back, I attended the opening night of The Three Musketeers at Orlando Shakes. I marveled, in particular, at a rotating stage and staircase designed by Bert Scott. The way the production team used that stage always impressed me. Imagine my delight when I came back to Orlando Shakes for the opening weekend of HENRY IV, PART 1 and saw that same exact stage now being used to represent 1492 England rather than 1628 France. Part of it is my fault, I didn't know they'd be using the same stage and assumed another theatre space at Orlando Shakes would house HENRY IV. But now knowing that this same space was used for two plays got the wheels in my head turning. It's a genius move on Orlando Shakes' part, creating a very fitting double-feature of entertainment. The same cast, the same stage, but two wholly different stories unfold.