Review: SIX: THE MUSICAL at Dr. Phillips Center For The Performing Arts
Four years after first seeing SIX, I still remain impressed by how well the musical continues to work.
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Four years after first seeing SIX, I still remain impressed by how well the musical continues to work.
What did our critic think of DOWNHILL THE PLAY at Education Is Cool - Get One, Inc.
Edgar Allan Poe remains one of the most iconic American writers, known for his haunting exploration of death, grief, and the macabre.
Audiences packed into full houses for the final weekend of the festival featuring wilderness vlogs, an improvised telenovela, an angel getting their wings, and pole dancing trauma.
The festival's second weekend kicks off with intestinal trouble, a footloose priest, and imperialist clowns.
Week two of the festival carries on with lawyers, Biblical transformation, bare honesty, and a firecracker First Lady.
This one-man show is adapted from a work of a similar name, I Miss the War, which was originally commissioned by the BBC to mark the 50th anniversary of the 1967 Sexual Offences Act.
The second week of the festival kicks off with polyamory, English breakfast, the Emerald City, and UFOs.
The festival's first weekend closes out with grief, 'inspiration porn', and a cacophony of kazoos.
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Day two of the festival brings us a not-so-high-school-musical, a magician's beef with American Airlines, and a ghost of parties past.
Fugly dogs and an AI of a queer aunt kick off BroadwayWorld's coverage of the 35th annual fringe festival.
The stage production does make a lot of strides that strengthens the endurance and popularity of this love story.
There’s a strange dichotomy that exists in live theater.
The Marriage of Bette and Boo is a play written by Christopher Durang, a playwright who rose to prominence in the 1980s and is best known for his absurdist comedies.
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Paris Clayton III’s world premiere production is a compelling, historically-grounded drama that unfortunately finds itself hindered by the 'unintended insularity' of its writer-director.
We learn that the suburban fantasy is not sustainable, primarily because such a fantasy can only ever be a dream.
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Theater West End has once again delivered a hit with this production of COMPANY.
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Orlando Shakes’ production of FAT HAM is a sensory-rich, unapologetically Black, and proudly queer reimagining of Hamlet that trades Shakespearean tragedy for hard-won joy.
Yo ho ho! Ahoy mateys! X marks the spot on this musical based on the 2013 novel by Phyllis Root.
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