New Russian Drama NY Premiere at La MaMa 11/2
By: Gabrielle Sierra Oct. 13, 2010
On November 2nd, a group of Russian playwrights and theater directors will present a staged reading of two new plays at La Mama E.T.C., a renowned venue for experimental and international theater. The featured plays, which have never before been seen in the US, are "Pavlik is my God" by Nina Belenitskaya and "The Ides of March" by Marina Krapivina. The readings, presented in English, will be staged by directors Marat Gatsalov and Mikhail Ovchinnikov. They will be followed by a Q&A with the playwrights and directors, who are in the US as part of a residency program co-hosted by CEC ArtsLink, an international nonprofit arts organization, and the Yale School of Drama.
"If you are interested in Russia for any reason, and you are not paying attention to what new playwrights are writing, you are missing much of this country's story," wrote John Freedman of the Moscow Times last December in a review of the Moscow production of "Pavlik is my God." Indeed, for audiences mostly familiar with the classics of Russian drama such as Chekhov, these plays will offer an insight into what Freedman calls "one of the most vital art forms in Russia for most of the last decade."Perhaps tellingly, both plays focus on the protagonists' difficult relationship with a parent, and through that prism their relationship with their country and its history is also revealed. The protagonist of "The Ides of March" is enjoying herself with a lover when she receives news of her alcoholic mother's sudden death, spurring her to look back on their family's rocky past. In "Pavlik is my God", it is the father who cold-heartedly abandons his young daughter. Feeling betrayed and yearning for justice, she turns her prayers to the iconic figure of Pavlik Morozov, a Soviet national hero. According to official propaganda, the 14-year-old Pavlik was so devoted to the higher good of communism that he turned in his own father, an enemy of the people, and died a martyr's death at the hands of his family. However, as both the play's Pavlik and actual historical documents reveal, the truth is much less clear-cut and heroic. Orphaned by life circumstances and by history, the characters of both plays have no higher authority left to appeal to but themselves.
Videos