Maxwell & Sibblies Drury's REALLY Adds Performances at Abrons

Due to popular demand Abrons Arts Center and New York City Players are adding three additional performances of Really, a new play written by Jackie Sibblies Drury, directed by Richard Maxwell and designed by photographer Michael Schmelling. Performed by Elaine Davis, Tavish Miller and Kaneza Schaal, Really is a play about grief, intimacy and the difference between goodness and greatness seen through the lens of photography. A black woman takes pictures of her artist boyfriend's mom. As they jockey for a claim to him, they try to redefine themselves in the wake of his legacy.

Presented by Abrons Arts Center and New York City Players remainingperformances of Really run March 18 - April 2 (see above schedule) at Abrons Arts Center (466 Grand St, Manhattan). Critics are welcome as of March 18 for an official opening on Wednesday March 23. Tickets are $35 and can be purchased at abronsartscenter.org or by calling 212.352.3101.

The play is the first from Sibblies Drury since she received the Windham-Campbell Literature Prize in Drama and the United States Artists Donnelly Fellowship in 2015.

Michael Schmelling's design concept for Really was awarded a grant through the Edith Lutyens and Norman Bel Geddes Design Enhancement Fund. Schmelling's design turns the playing space into a room-size camera obscura, creating an enclosed, intimate space shared by the actors and the audience. According to Michael Schmelling, "In building a room-size camera obscura for the production our goal is to transform the theater into a live camera. This unique structure will give the actors the experience of working in a space that is essentially always in flux. Commonly, the experience of looking into a camera is solitary, even private - only one 'eye' sees what is happening before the camera. In this case, the audience and the actors will collectively view the live image being created by the camera obscura. The use of this device not only adds a distinct visual element to the production, but also compliments a script that seeks to investigate the process of fixing memories and images."

This world premiere is the fourth production from New York City Players' (NYCP) American Playwrights Division, which helps emerging experimental directors and playwrights take true risks in their work with the company's financial and artistic support. Mentorship and production support are core values of NYCP, and the American Playwrights Division is the company's flagship program to further those values. Previous American Playwrights Division productions include Tina Satter's House of Dance (written and directed by Ms. Satter) in 2013, Julia Jarcho's Dreamless Land (written and directed by Ms. Jarcho) in 2011, and Christina Masciotti's Vision Disturbance (directed by Richard Maxwell) in 2010.

About the Artists

Jackie Sibblies Drury is a Brooklyn-based playwright. Her plays include We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as South West Africa, From the German Sudwestafrika, Between the Years 1884-1915, Social Creatures and And now I only dance at weddings. The presenters of her plays include Soho Rep, Victory Gardens, Trinity Rep, Matrix Theatre, Woolly Mammoth, Undermain Theatre, InterAct Theatre, Actors Theater of Louisville, Available Light, Company One, and The Bush Theatre in London. Sibblies Drury hasdeveloped her work at Sundance, The Ground Floor at Berkeley Rep, A.C.T., The Soho Rep Writer/Director Lab, New York Theatre Workshop, PRELUDE.11&14, The Civilians, The Bushwick Starr, The LARK, The Magic Theatre, The Bay Area Playwrights Festival and The MacDowell Colony. She was a dramaturg for Zero Cost House by Pig Iron Theatre Company & Toshiki Okada and The Garden by Nichole Canuso Dance Company. She received the 2012-2013 Van Lier Fellowship at New Dramatists and was the inaugural recipient of the 2012-2014 Jerome Fellowship at The LARK. She is a NYTW Usual Suspect and is currently a member of The Writer's Room at Manhattan Theatre Club and Ars Nova.

Richard Maxwell studied acting at Illinois State University and then became a co-founder of the Cook County Theater Department. Maxwell is the recipient of the 2014 Spalding Gray Award from the commissioning consortium of Performance Space 122, the Andy Warhol Museum, On the Boards, and the Walker Art Center. He is a 2012 Doris Duke Performing Artist and has received a 2010 Guggenheim Fellowship, two OBIE Awards, a Foundation for Contemporary Arts Grant, and was an invited artist in the Whitney Biennial (2012). Recent projects include Maxwell's plays The Evening (Part 1), Isolde and Neutral Hero; Devotion, a dance by Sarah Michelson with text by Maxwell; Ads, a video play conceived by Maxwell; and two sections of the 24-hour, site-specific adaptation of David Foster Wallace's Infinite Jest in Berlin. His book, Theater for Beginners, was published in 2015, by TCG.

Michael Schmelling is the author of several photo books, including The Plan (J+L Books, 2009), Atlanta: Hip Hop & The South (Chronicle, 2010) and My Blank Pages (The Ice Plant, 2015). Schmelling is also a graphic designer, having designed books for Damiani, Glenn Horowitz Booksellers, Blum & Poe, and the Neuberger Museum of Art. He designed and edited the 2011 book Golfwang (Picturebox) by Oddfuture, and photographed and designed Friedrich Kunath's You Owe Me A Feeling (Blum & Poe 2012). Schmelling's illustrations have appeared on the New York Times Op-Ed page, as well as in 5 Dials. He is also a frequent collaborator with New York City Players, and won an OBIE Award for his lighting design of Richard Maxwell's play, Drummer Wanted. Schmelling's work from The Plan was included in the 2013 ICP Triennial: A Different Kind Of Order; his first one-person museum exhibition, Your Blues, a commission from The Museum of Contemporary Photography, was presented in 2014.

Kaneza Schaal (Girlfriend) is a New York City based theater artist. On stage she has worked with The Wooster Group (Vieux Carré, Early Plays), Elevator Repair Service (The Sound and the Fury, The Select, Fondly Collette Richland), Richard Maxwell/New York City Players (Early Plays, Theatercon), Claude Wampler (N'Pas), Jay Scheib (Bellona, Powder Her Face), Jim Findlay (Dream of the Red Chamber), New York City Opera (Powder Her Face), and National Public Radio (Selected Shorts). This work brought her to venues including BAM, The Kitchen, St. Ann's Warehouse, New York Theater Workshop, The Public Theater, Baryshnikov Arts Center and Symphony Space. On camera Schaal has worked with Kathryn Bigelow, Marya Cohn, Josephine Decker, Alix Pearlstein, Chelsea Knight and the "Law & Order" team.

Schaal created and directed Go Forth inspired by The Egyptian Book of the Dead presented as part of PS122's COIL Festival, 2016. Schaal was an Artist in Residence at the Baryshnikov Arts Center and received a 2014 Princess Grace Award grant, Lower Manhattan Cultural Council Process Space residency, Bogliasco Fellowship, Nathan Cummings Foundation grant, Foundation for Contemporary Art Emergency Grant, and Princess Grace George C. Wolfe Award. She was a member of Kara Walker's 6-8 Months Space and her video work appeared in Visionaire. Schaal has been invited to speak at New York University, Yale University, BAM, The Brooklyn Book Festival, the River-to-River Festival and her alma mater Wesleyan University, CT.

Elaine Davis (Mother) is an actor/ playwright. She is member of WedRepCo, a company of actors developing and performing original work, which has also premiered a number of her plays. WedRepCo credits include: A Gathering of Unusual Proportions (performer), Declassified (performer), Rope (performer), The Way Home (playwright & director) and Remember Love. Recent credits include a staged reading of In Bed with Roy Cohn, directed by Katrin Hilbe and Queen Gertrude in Hamlet at the ATA theater.

Tavish Miller (Calvin) recently performed in Object Collection's Cheap&Easy at La Mama Club, Psychic Readings Co.'s Miss Chthonic Dream Star Pageant at JACK, and 7 Daughters of Eve Thtr & Perf Co. Let Us Now Praise Susan Sontag, written and directed by Sibyl Kempsonat Abrons Art Center.