angels, is a solo one-act set in a quiet bar, structured as seven “loops” that re-stage the same existential dilemma under shifting regimes of observation, desire, and physical consequence. Night after night, a Messenger returns to learn the house rituals: how to move stealthily, how to “stay,” how to be watched without taking up space. Above her, a painting of cherubs and an overly tall mirror act as witnesses, looking up can mean trouble, and trying to see clearly can injure the body. As the piece moves through training, exchange, breakage, and aftermath, it arrives at an unsettling inheritance: not that no one arrives, but that visibility itself is governed: who gets to be seen, and at what cost.
The Spring That Never Came (3/20/26-3/22/26)
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Mars
Theatre 154 (1/27 - 3/1)
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Broadway Magic Hour
Broadway Comedy Club (1/1 - 6/30)
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Mano a Mano
La MaMa (2/12 - 2/22)
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New Love
bkONE: The Tom Kane Theatre (3/5 - 3/15) NEW PLAY | |
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THE MUSEUM OF MODERN ART PRESENTS Doc Fortnight 2026
The Museum of Modern Art (2/26 - 3/11) | |
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Saturday Night Live Comedy Headlining Mary Dimino
HUB17 Theater (2/21 - 2/21) | |
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Dust of Egypt: The Story of Sojourner Truth
The Sheen Center for Thought & Culture (3/5 - 3/29) | |
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Socially
Socially (1/12 - 11/12) | |
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Loretta Thomas' Moving Visions
Mark O'Donnell Theater (3/6 - 3/8) | |
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