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BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Broadway
BWW Review: Brooklyn Ballet Spreads Holiday Cheer With NUTCRACKER at Irondale Center

BWW Review: Brooklyn Ballet Spreads Holiday Cheer With NUTCRACKER at Irondale Center

by Tracy Hopkins — December 19, 2017
The Nutcracker is the most popular ballet of the holiday season, and any troupe worth their tutus and pointe shoes stages a production....
BWW Review: JAMIE BARTON is the G*ddamned Diva Opera Deserves

BWW Review: JAMIE BARTON is the G*ddamned Diva Opera Deserves

by Cole Grissom — December 19, 2017
I've always wondered what it would be like to swim in a pool of maple syrup and now I know. From the minute Ms. Barton opened her mouth, she unleashed a rolling tone that poured over her audience, soaking them in the sugary, maple tones of her delicious mezzo. We were drenched but in the way an i...
BWW Review: ALVIN AILEY AMERICAN DANCE THEATER 2017 Season at New York City Center

BWW Review: ALVIN AILEY AMERICAN DANCE THEATER 2017 Season at New York City Center

by Tracy Hopkins — December 4, 2017
Alvin Ailey American Dance Theater's five-week engagement (November 29- December 31) at New York City Center is a highlight of the city's holiday season....
BWW Review: CANINES OF NEW YORK by Heather Weston for Dog Lovers and Many More

BWW Review: CANINES OF NEW YORK by Heather Weston for Dog Lovers and Many More

by Marina Kennedy — December 3, 2017
City dogs have a very special life and 'Canines of New York' by Heather Weston is the perfect book to showcase some of New York City's furry friends....
BWW Review: Chris Harder's PORN TO BE A STAR Offers Witty Social Commentary

BWW Review: Chris Harder's PORN TO BE A STAR Offers Witty Social Commentary

by David Clarke — November 30, 2017
PORN TO BE A STAR, like its salacious titles suggests, offers audiences a peek behind the screen and a chance to experience the gay porn industry from an insider's perspective. However, his experiences with the porn industry are not the only things Chris Harder offers up. Throughout the evening, he ...
BWW Review:  Christopher Wheeldon Stages a Thrilling City Center Mounting of Lerner a

BWW Review: Christopher Wheeldon Stages a Thrilling City Center Mounting of Lerner and Loewe's Sumptuous BRIGADOON

by Michael Dale — November 19, 2017
Like the city where it was born and nurtured, the American musical play differs from similar stage entertainments because it was developed by a combination of cultures merging into a unique new art form. It would be difficult to find greater evidence of this fortunate merger than in the musicals of...
BWW Review: Benjamin Eakeley's BROADWAY SWINGER, VOL. 2: ALL OF ME Bounces Brightly w

BWW Review: Benjamin Eakeley's BROADWAY SWINGER, VOL. 2: ALL OF ME Bounces Brightly with Swing and Jazz

by David Clarke — November 17, 2017
With a beaming smile, a ton of energy, his dazzling vocal instrument, and even delighting audiences with his clarinet, Benjamin Eakeley's debut of BROADWAY SWINGER, VOL. 2: ALL OF ME is a true celebration of the sings of the 1930s....
BWW Review: Sven Ratzke Weaves a Web In The Captivating HOMME FATALE at Joe's Pub

BWW Review: Sven Ratzke Weaves a Web In The Captivating HOMME FATALE at Joe's Pub

by Troy Frisby — November 10, 2017
Endlessly imaginative and full of bravado, with his new show, HOMME FATALE, Sven Ratzke set out to ensure that femme fatales don't get to have all the fun....
BWW Review: MARIO FRANGOULIS at Rose Theater Jazz At Lincoln Center

BWW Review: MARIO FRANGOULIS at Rose Theater Jazz At Lincoln Center

by Peter Danish — November 8, 2017
Mario Frangoulis has always defied categorization. After all, what do you call a singer who is equally at home in rock, pop, jazz, latin, swing, Broadway, classical and opera?...
BWW Review: Mandy Gonzalez Is Phenomenal and FEARLESS in Her Cafe Carlyle Debut

BWW Review: Mandy Gonzalez Is Phenomenal and FEARLESS in Her Cafe Carlyle Debut

by Troy Frisby — November 6, 2017
Early on in her Cafe Carlyle debut this past month, Mandy Gonzalez remarked on how excited she was to be uptown, though, while the HAMILTON star was at the mic, it was anything but quiet....
BWW Review:  Bryce Pinkham and Denee Benton Mix Love and Politics in MasterVoices' OF

BWW Review: Bryce Pinkham and Denee Benton Mix Love and Politics in MasterVoices' OF THEE I SING

by Michael Dale — November 7, 2017
Back in 1931, when the firm Kaufman, Ryskind, Gershwin & Gershwin had the novel idea to infuse that stodgy old music/theatre entertainment, the Broadway operetta, with the jauntiness of showtune and a chaotic mixture of comedic highbrow and lowbrow to tell the tale of an unqualified, but charismatic...
BWW Review: Rita Wilson Sings a Song for Everyone In Her Return To Café Carlyle

BWW Review: Rita Wilson Sings a Song for Everyone In Her Return To Café Carlyle

by Troy Frisby — October 30, 2017
Bubbly and charming as all hell, from the moment Rita Wilson took the stage at Cafe Carlyle, it was as if there was nowhere else she'd rather be....
BWW Review: The 28th New York Cabaret Convention Kicks Off Its Opening Night With A B

BWW Review: The 28th New York Cabaret Convention Kicks Off Its Opening Night With A Bang It Is Unable To Sustain

by Stephen Hanks — October 22, 2017
During an evening when Mabel Mercer Foundation President and New York Cabaret Convention Producer KT Sullivan devoted a number of opening night spots in the 28th year of the four-day extravaganza (October 16-19 at Rose Hall at Jazz at Lincoln Center) to a younger generation of singers and a few vete...
BWW Review: Betty Buckley Brings Righteous Anger to Joe's Pub in Exceptional STORY SO

BWW Review: Betty Buckley Brings Righteous Anger to Joe's Pub in Exceptional STORY SONGS #2

by Ashley Steves — October 14, 2017
Betty Buckley's STORY SONGS #2, the artist's new show at Joe's Pub running through Sunday night, was initially supposed to have another, darker title. She won't divulge the original choice, but one can certainly imagine. Making a sequel to the original, which, as a mixtape of numbers rich to the cor...
BWW Review: Trixie Mattel Balances MOVING PARTS Like a Pro at the Laurie Beechman

BWW Review: Trixie Mattel Balances MOVING PARTS Like a Pro at the Laurie Beechman

by Troy Frisby — October 12, 2017
A unique queen in the pantheon of RUPAUL'S DRAG RACE queens, in just a few years' time, Trixie Mattel has risen from promising also-ran to cult fave to full-blown drag superstar (with a number one folk album, to boot). Fans coming in expecting to hear tracks off of that album, TWO BIRDS, during M...
BWW Review: Moved by WE SHALL NOT BE MOVED at Harlem's Apollo Theatre via Opera Phila

BWW Review: Moved by WE SHALL NOT BE MOVED at Harlem's Apollo Theatre via Opera Philadelphia

by Richard Sasanow — October 10, 2017
WE SHALL NOT BE MOVED, which made its NY debut in a pair of performances at the Apollo Theatre in Harlem last weekend, after its world premiere at Opera Philadelphia's O17 festival last month, is more than an opera or performance piece. And it sure as hell isn't an evening's entertainment. Compose...
BWW Review: NEW YORK CITY BALLET AN ALL-BALANCHINE EVENING  at Koch Theater

BWW Review: NEW YORK CITY BALLET AN ALL-BALANCHINE EVENING at Koch Theater

by Marsha Volgyi — October 9, 2017
The evening of Thursday, October 5, 2017 was an All Balanchine program of the New York City Ballet. At the Koch Theater, the repertoire consisted of Square Dance, La Valse, and Cortege Hongrois. These three dances featured just a small range of the choreography that its founder, George Balanchine, c...
BWW Review: Tiler Peck Triumphs in New York City Ballet's SWAN LAKE, September 28, 20

BWW Review: Tiler Peck Triumphs in New York City Ballet's SWAN LAKE, September 28, 2017

by Barnett Serchuk — October 2, 2017
Peter Martins' production of the full-length 'Swan Lake' has always been something of a curiosity to me. So many associate the ballet with intense dramatic overtones, or, in New York City Ballet's one act Balanchine version, with poetic musings, that when we see this version we are puzzled. Yes, the...
BWW Review: NEXT TO CASI NORMALES at the Consulate General of Argentina in NYC

BWW Review: NEXT TO CASI NORMALES at the Consulate General of Argentina in NYC

by Felicitas de la Fare — October 1, 2017
Next To Casi Normales is a concert featuring songs in English and Spanish from Next to Normal and Casi Normales (the Argentinean version produced in Buenos Aires in January 2012 that was awarded Best Musical of the season)....
BWW Review: A.J. Lambert Honors Sinatra's Legacy with Humility, Grace, and All-Star V

BWW Review: A.J. Lambert Honors Sinatra's Legacy with Humility, Grace, and All-Star Vocals at Feinstein's/54 Below

by Amy Oestreicher — September 30, 2017
A.J. Lambert, as the granddaughter of Frank Sinatra, is not intimidated at all in singing through the entirety of IN THE WEE SMALL HOURS, a pioneering concept album released by Sinatra in 1955 exploring heartbreak (including a torturous breakup with his second wife, Ava Gardner) with all songs han...
BWW Review: A Restrained Dianna Agron Explores a New Era in Her Cafe Carlyle Debut

BWW Review: A Restrained Dianna Agron Explores a New Era in Her Cafe Carlyle Debut

by Troy Frisby — September 30, 2017
Over the course of the September 19 performance, Agron split her time between a whole host of male-fronted acts of the '70s, though, technically, many of the songs did hail from the decade prior....
BWW Review: Raja Returns to Work the Runway in Her One-Woman Debut GAWDESS at the Lau

BWW Review: Raja Returns to Work the Runway in Her One-Woman Debut GAWDESS at the Laurie Beechman

by Troy Frisby — September 18, 2017
Raja's debut one-woman show, RAJA: GAWDESS, was an exercise in charisma, in the best possible sense of the phrase....
BWW Review: Lady Rizo's New Album INDIGO Plays Second Fiddle To Politics At Its Relea

BWW Review: Lady Rizo's New Album INDIGO Plays Second Fiddle To Politics At Its Release Show At Joe's Pub

by Audrey Moyce — September 11, 2017
There is something about today's political climate that demands acknowledgment in almost every setting. Provided you can be certain that your opinion will be shared by most of the room, you will probably bring up something related to our president, his tweets, or your own concerns about one or both....
BWW Review: The Bright Side of Sad with Miguel Gutierrez and Madonna

BWW Review: The Bright Side of Sad with Miguel Gutierrez and Madonna

by Audrey Moyce — September 1, 2017
SADONNA: THE SAD SONGS OF MADONNA. Such a title for Miguel Gutierrez's first full evening at Joe's Pub begs the question: why sad songs, and why Madonna? Gutierrez admitted early on that he came up with the name before he came up with anything else, but also that hatching this plan for a show had gi...
BWW Review: Blake McIver Makes BARBRA: THE CONCERT His Own at the Laurie Beechman

BWW Review: Blake McIver Makes BARBRA: THE CONCERT His Own at the Laurie Beechman

by Troy Frisby — September 1, 2017
From the minute BLAKE SINGS BARBRA: THE CONCERT began, Blake McIver truly tapped into-and never lost-the magic in Barbra Streisand's music....
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