BROADWAY THEATER REVIEWS

Currently, the New York Philharmonic is presenting the movie masterpiece Amadeus with live orchestrations as part of their Art of the Score series. They have removed the prerecorded orchestral and choral elements from the film and replaced them with live manifestations. It's breathtaking and require...

Magazine ads and television commercials may reach millions more, but perhaps the highest compliment I can pay Havana Club Rum's immersive theatre experience, AMPARO, is that it effectively guides visitors through a brief history of the company's trailblazing founding family, including generous taste...

BWW Review: TCHAIKOWSKI 6TH SYMPHONY by The Park Avenue Chamber Symphony...

Of the many great parts of the Broadway community and the performing arts community at large, perhaps the greatest is its ability to come together and provide support for one another. BROADWAY BABY MAMAS, held at Feinstein's/54 Below on March 15 little more than a week after the unthinkable tragedy ...

Byron Lane's meditation on the artifice and projection of fame and celebrity is brilliantly explored through the prism of Tom Lenk's exquisitely crafted performance in TILDA SWINTON ANSWERS AN AD ON CRAIGSLIST, which ran March 16-25 at the Laurie Beechman Theatre. CRAIGSLIST's Tilda is almost better...

If you want to know how to act a song, go see Bebe Neuwirth, who recently performed STORIES WITH PIANO, #1 at Feinstein's/54 Below....

Though the songwriting team of Robert Wright and George Forrest is best remembered by Broadway enthusiasts for adapting the music of Edvard Grieg into SONG OF NORWAY and similarly using the melodies of Alexander Borodin to create their score for KISMET, their greatest success came when director/chor...

As classical music presentations continue to innovate in the 21st century, it's paramount that a keen eye remains focused on the purpose of this innovation. Innovation for innovation's sake will fail every time. And, unfortunately, Philharmonia Orchestra of New York (PONY) fell victim to this pitfal...

For nearly 35 years, I have loved the score of BABY, the Broadway musical that ran for 241 performances from 1983 to 1984 and made Liz Callaway a star. So, it was thrilling to hear the music sung in concert by a stellar cast at Feinstein's/54 Below on March 18, the proceeds of which went to Planned ...

Quite the contradiction, no one is as simultaneously surprised and unfazed by Lena Hall's success as Lena Hall....

Having your artistic brain-children paraded before you in celebration of your life must be a surreal experience - one that John Corigliano is, now, very familiar with. National Sawdust recently hosted his 80th birthday celebration and packed the evening with his compositional gems, peppering the pr...

In most music schools, faculty recitals are a standard part of student life. Attendance, while not mandatory, is expected because it is assumed the student will learn something from the performance. Sometimes it isn't exactly what the professor may have intended...A faculty recital at The Juilliard ...

Tap dancer Savion Glover (BRING IN 'DA NOISE, BRING IN 'DA FUNK, SHUFFLE ALONG) and tanguero Leonardo Suarez Paz (FOREVER TANGO, TANGO ARGENTINO) mixed tap dance and tango music at Feinstein's/54 Below on February 15....

In his latest show at Cafe Carlyle titled HEART TO HEART, John Lloyd Young continues to hearken back to an earlier era in look, sound, and song choice, mostly performing pieces from the 60s and 70s....

Rachel Bloom has no shame, and we're all better for it. Performing original music at Jazz at Lincoln Center's Appel Room on Feb. 11, 2018, along with co-writer Adam Schlesinger, Bloom arrived on stage with guns blazing....

Returning to Cafe Carlyle, fashion designer-plus-TV personality-plus-performer Isaac Mizrahi was far too controlled to fall prey to anything remotely resembling a sophomore slump....

An Orpheus concert can always be counted on to be a rich, exciting experience for the audience. The February 3rd 2018 concert was certainly no exception....

Ok, y'all…I'm going to be honest. A cappella - or as my aunt, with her charming ignorance, would call it 'acapulco singing' - is just not my jam. Groups that sing sacred 'hits' without vibrato has never been a way I'd choose to spend an afternoon. Maybe it's because I suck at this type of singing?...

On the weekend of the women's march, it was refreshing to see a female at the helm of Carnegie's Sunday afternoon programming. Janine Jansen owned the stage with strength and conviction, cementing the importance of the female perspective in life, art, and business proving the perfect cap to an imp...

BWW Review: ROYAL CONCERTGEBOUW WAGNER AND BRUCKNER at Carnegie Hall...

Wondering if Jonas Kaufmann is going to go out onstage on any given night is something of a parlor game for many opera fans... The most recent worries about whether or not he would make it to his January 20th recital at Carnegie Hall were put to rest when he strode through the doors with his pianis...

'We're gonna keep it up upbeat. Right, kids?' Finding light in the darkness was a dominant, if not the dominant, theme in 2017, so in closing out the year with SANDEMONIUM, it tracks that Sandra Bernhard would work it into her New Year's show---in her own distinctly Sandyland way, as her patented sn...

In SNOWFALL at Birdland, Christine Ebersole and Billy Stritch offered up a holiday show that was equal parts holly-jolly and melancholy. Through it all, though, there was an undercurrent of warm insularity, each bolstered by the other's presence, even when one would sit a number out and simply watch...

The holidays are all about excess, and what's more extra than a drag queen named Alaska Thunderfuck 5000?...

To be completely fair, modern day compositions, stereotypically, leave me wanting more. I can respect and appreciate the intellectual prowess required for their execution, but usually that's all I'm left with--respect. That, and an acute exhaustion from being led through the densely populated forest...