The story of the legendary Neil Diamond comes to life on stage in a gripping and uplifting new musical featuring a score of his most beloved songs. With his first break into songwriting in the 1960s and his meteoric rise in the 1970s, and plenty of crushing disappointments and heart-stopping triumphs along the way, Neil Diamond has maintained an almost unthinkable level of superstardom for five straight decades. How did a poor Jewish kid from Brooklyn become one of the most universally adored showmen of all time? There's only one way to tell it: a musical set to his era-defining smash hits that entranced the world.
The element of McCarten’s book that makes it stand out, slightly, from the typical fare is … therapy. The whole experience is framed by conversations between an older Neil (Mark Jacoby) and his psychologist (Linda Powell), who is pressuring him to open up by way of analyzing the lyrics to his own songs. Jacoby and Powell sit in armchairs on either side of the stage, and occasionally stay there during the flashbacks to young Neil (Will Swenson) performing, in a Drowsy Chaperone sort of arrangement. There’s poignancy to seeing a cloistered, depressive man like Diamond try to articulate how metaphorical storm clouds descend upon him whenever he’s not onstage, leading him to sabotage his personal life. But because the focus here is really on the hits, there’s only so deep these analyses can go. After that “Forever in Blue Jeans” sequence, Diamond’s shrink interjects, “So. Wonderful wife. Great kids. Raining money. World tours.” What did that lead to? Well, Neil responds, “more sequins,” and then we segue into “Soolaimon.”
But to its credit, as directed with care by Michael Mayer, “Beautiful Noise” also comes with some fresh ideas, not the least of which is Steven Hoggett’s choreography, a kind of postmodern tribute to the retro 1970s movement stylings of the likes of Pan’s People in the U.K. or Up With People on this side of the Atlantic. It’s far from traditional Broadway movement and happily so: it won’t be for all tastes, but I enjoyed the way Hoggett works with the “vocal designer,” AnnMarie Milazzo, to really physically pop the pa, pa, pas in “Sweet Caroline,” and to play, multicorporally, with the show’s central theme — that the Diamond catalog was a beautiful noise constantly playing in the creator’s head and needing to be resolved.
Digital Lottery:
Price: $55
Where: The digital lottery for A Beautiful Noise can be found at rush.telecharge.com.
When: Entries for the digital lottery, will start at 12 AM ET, one day before the performance, and winners are drawn the same day at 9 AM ET and 3 PM ET.
Limit: Two per customer
Information: Seats may be located in any section of the theater. While every effort will be made to seat pairs together with a full view, there is a chance that pairs may be split up and that your seat may have a partial view of the stage.
2022 | Broadway |
Original Broadway Production Broadway |
2024 | US Tour |
North American Tour US Tour |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2023 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Robyn Hurder |
2023 | Drama Desk Awards | Outstanding Featured Performance in a Musical | Mark Jacoby |
2023 | Drama Desk Awards | Outstanding Wig and Hair | Luc Verschueren |
2023 | Drama League Awards | Distinguished Performance Award | Will Swenson |
2023 | Drama League Awards | Outstanding Production of a Musical | A Beautiful Noise |
2023 | Outer Critics Circle Awards | Outstanding New Broadway Musical | A Beautiful Noise |
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